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The Noah
(1975)
Director: Daniel Boura
Cast: Robert Strauss
When I was young, even back then I had an
active brain inside of my head. Whenever I had a
free moment, I would take the opportunity to
think about things deeply and carefully. For
example, there were several times when I would
wonder about the stuff I observed in the
television show Knight Rider. Why, for
instance, did KITT seem to have a new ability
added to its already numerous abilities each
week? How was the organization that hosted KITT
("The Foundation For Law And Government" I
believe it was called) able to exist with a
total employment count that was even less than
what you would consider a skeleton crew? Why on
earth, when half the time Michael Knight pressed
the "Turbo Boost" button on his dashboard, KITT
would then suddenly gain a great deal of speed,
while the other half of the time that same
button was pressed, KITT would suddenly leap
from the ground into a great distance in the
air? And during the "reunion" made-for-TV movie
that aired several years after the show was
cancelled, why did the production choose to
humiliate KITT by installing his vital
microchips into a "classic" car? Were all the
writers that created all of the above stuff
thinking that their audience was incredibly
stupid? That's what I eventually concluded after
a great deal of thought, but after coming up
with that conclusion I did not dare speak it
aloud to any of my peers. In fact, there was a
lot of other stuff that I felt not wise to
mention to anyone - opinions, observations, etc.
That's because a few times, when I did speak out
loud what I was thinking, I found out that my
schoolmates simply didn't think on the same
wavelength.
As a result, I was considered a kind of
oddball by people my age all through school. For
the most part, I simply didn't get along with my
peers. It made for some very lonely times in
school, that is, when they weren't giving me the
kind of attention that would be considered very
negative in nature. And as a result of this, at
a young age I didn't have a very good opinion on
mankind. What could you think of a supposed
advanced species of animal that would not accept
a viewpoint that was different, whether it was
something insignificant or something that could
shake things up? It got to a point when I
started to wonder if having others around me was
a good idea. I think I first got the idea when
my third grade teacher read us one of the books
in The Boxcar Children series (I think
the book's title was The Yellow House Mystery.)
One of the characters in the book was a hermit -
the first time I had heard of a hermit and what
kind of lifestyle they lived. The idea intrigued
me - a person who really got away from it all,
especially from nasty people. Soon I started to
imagine myself in an environment without any
other people. First I started to imagine myself
in the wilderness like that hermit my teacher
read to us. But it didn't take too long to
abandon thoughts on that kind of isolated life. I would have
to work my butt off to gather enough food each
day so I could live. There would be no
electricity, so there would be no hot water, no
watching movies on TV. But most of all, even
though I would not miss people like the
individuals who went to my school, there would
be a few individuals I would miss - my family.
They always accepted me, and I would miss their
support.
Despite these obvious problems living a life
completely alone, there were still times I would
try to escape the pressures of life by imagining
myself without people, though not in the
wilderness like a hermit. I started to imagine
myself in a situation where mankind had been
wiped out except for myself. A world-wide plague
was the situation I thought of mostly. There
would be plenty of canned and dried food at
supermarkets, which would solve
the food
problem. And I could find plenty of stuff to
entertain me - books, and electrical-powered
items I could get a generator for. But I think
that even with all of those comforts, I would
have gone crazy after a time. Like it or not, I
realized I needed people - as a visible safety
net if something should go wrong in my life, but
most of all bringing that kind of magic that
human contact brings. I started to think of all
this again recently when I was watching
The Noah. I wondered that if I was in
the situation the title character was in, if my
mind would go the way his did. Let me set the
scene: The movie begins on an ocean, and on it
we see a rubber raft floating on the waves. In
the raft there is an American soldier (Strauss,
The Man With The Golden Arm). It
doesn't take him long to spot land, an island to
be exact that has the remains of a Chinese
military outpost on it. The soldier makes
himself at home, and a good amount of time goes
by, with no sense he'll be rescued soon. One
day, the soldier hears a voice coming out of
nowhere. The voice is friendly, and the soldier
quickly befriends this "invisible" companion,
naming him "Friday". As the days go on, the
soldier has endless conversations with his new
friend. Eventually, the soldier soon finds he
has another "invisible" companion, this new
voice being female. Everything seems fine... but
the solider soon finds out that his new society
will not be without problems.
Unlike the majority of the movies I have
reviewed on this web site, The Noah
is a movie that has some messages buried in its
narrative, messages about society, both modern
and traditional. One of the most obvious of
these lessons is one that has been expressed in
a number of other movies, and that is warfare in
this day and age. To be more exact, nuclear
warfare. The movie illustrates that there will
be no escape if this happens. You can get far
away, you can try to reorganize after it
happens, but there will be an inevitable, deadly
end to everyone. When the movie's story starts
after the opening credits, a nuclear war has
already happened and Strauss' solder character
(from the limited evidence given in this first
part of the movie) is apparently the last person
on earth. Nobody will win a nuclear war. This
message is a pretty obvious and well-known one
after years of nuclear war depicted on TV and in
movies, but The Noah goes further,
and goes to explain why a nuclear war may
happen, and also why it may be inevitable that
such a war will happen and completely wipe out
mankind. This is because, as the movie
illustrates, human beings are flawed, and
because of this bad decisions and the need to
fulfill various human desires (many of them
being darker in nature according to the society
we currently live in) are bound to happen even
if there is a great effort to enforce goodness
in a society. The movie tells us that this has
always happened, reminding us of this
from the very beginning by scrolling on the
screen selected Bible passages from the Noah
story in the Bible's Genesis chapter (human
beings had become wicked, despite being God's
creation, and God decided to destroy mankind.)
Much of The Noah is fascinating
because of its illustrations of how mankind is
flawed, how it can be corrupted, and the
consequences. Strauss' character has clearly
lost a few marbles; his making of imaginary
companions to conquer his isolation goes much
farther than what Tom Hanks did in
Castaway (reportedly - I already
mentioned in an earlier review that I can't
stand Tom Hanks.) He creates in his mind
characters with their own personalities that
eventually break from his hold and rebel from
what he considers to be sacred rules. These
characters become real - we see they have
their own desires, and we see how Noah's efforts
(or anyone else's) to make a utopian society is
doomed from the start. Besides its showing the
effects of the dark side of mankind, there are
other things to admire about the movie. The
first of these things is evident right from the
start - the movie is shot in black and white.
Trying to depict the end of the world on a
tropical island in full blazing color would have
been, in my opinion, a disastrous decision. Many
of the most effective end-of-the-world movies I
have seen (Five, On The
Beach, The World, The Flesh, And
The Devil) were shot in black and white,
and this lack of color gave these films (and
this one) an appropriately bleak look. Shooting
in black and white may have been a budgetary
issue, but I'm glad it was shot this way.
Speaking of the budget, it may have been low,
but there is no apparent sign of cost-cutting
anywhere else in the movie. The abandoned and
rotting Chinese outpost is surprisingly
detailed, from the rusting wrecks of trucks
outside to the Chinese language propaganda
posters plastered inside the buildings.
There's a lot to admire about The Noah
- I don't think I've already said that this
end-of-the-world vision can be considered an
original one. But despite all the things I liked
about it, at the same time I know I must point
out several problems I had with the movie. Some
of these are minor nitpicks, such as how it is
never explained just how the soldier gets his
hands on English-language books several times,
or why he is shown to have a bag of golf clubs
in his rubber raft at the beginning of the
movie. There are also a few technical goofs as
well, most of them consisting of abrupt editing,
but also including a very embarrassing moment
when the soldier is speaking at length and the
audio clearly is not matching his lips. But the
main problem I had with the movie was that, at
one hundred and seven minutes, it was too long.
There are a number of times in the movie where
nothing new happens for long stretches of time,
having stuff like the soldier having endless
conversations with his imaginary companions.
Even worse is the section late in the movie
during the nighttime tropical storm, where the
soldier wanders around while vintage radio
broadcasts (not all of them in English) play on
the soundtrack. This sequence goes on forever,
when all that it accomplishes could have simply
been edited down to run less than a minute. If
the movie was edited down considerably, it would
work a lot better, even if the editing made the
movie run less than an hour. That's because the
idea for this movie feels more like one for a
short, not a feature-length movie. Although I
didn't use it while watching The Noah,
I could see how the fast-forward button on your
DVD remote could significantly improve parts of your viewing experience of this movie.
Check for availability on Amazon (DVD)
See also: Idaho
Transfer, Survivor,
World Without End
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