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Manhunt in the African Jungle
- Chapter One -
North African Intrigue

- - - - 

     "Be careful my friend. That boat carries munitions for the German Army."

 - LaSalle's warning for the inevitable explosion     

- - - - 

 
To Be Continued?
Chapter One
Chapter Four?

 

The Running Carnage Tally
For Chapter One:
Punches Thrown*
52
Broken Furniture
11
Furniture Thrown
3
Deathtraps Escaped
0
Henchman Killed
5
*Approximate Number
 
 

Our first chapter wastes no time as we open on the bustling streets of Casablanca in North Africa during World War II (and I’ll point out right now that we never actually make it into the African Jungle.) Janet Blake (Joan Marsh), a reporter for some unknown news service, makes her way into a busy hotel.

She asks the hotel manager if the Sultan has arrived yet. He hasn’t but his assistant, Ernst Mueller (Kurt Krueger) is here. She then asks to interview him instead. But before she can get permission a procession of cars arrive and Sultan Abou Ben Ali (Lionel Royce) and his entourage sweep into the hotel.

Janet intercepts Ali in the lobby and asks if he and the other sheiks will side with the Allies or the Axis. Ali is the big dog among the sheiks and the others will do what he says. He’s convened all the sheiks here at the hotel and plans to make his announcement very soon. He has no comment for Janet but promises Allah will guide his choice.

The hotel manager tells Janet she has a phone call. It’s Pierre La Salle the prefect of the local police. LaSalle (Duncan Renaldo) (Yes, you read that right. The Cisco Kid is playing a French cop.) tells her that Rex Bennet, American super-spy, has reported that there is an assassination plot hatched by the Nazis against the Sultan. (Nazi intelligence says he plans to side with the Allies.) Janet thought Bennet was killed in Stalingrad but he’s alive and moved on to safer places - Berlin. 

La Salle asks her to warn the Sultan immediately.

The Sultan has retired to his suite with Mueller. (Lesse, Mueller, Mueller, kind of has a Teutonic ring to it don’t it? Is that a blackjack he’s hiding behind his back?) Mueller shows his treachery by sneaking behind the Sultan at his desk and raises a blackjack to strike but is interrupted by a knock at the door before he can finish the deed.

Janet busts in and warns him. He thinks it’s a ridiculous notion and Mueller (of course) seconds that notion. Janet tells him the information comes directly (sort of) from thee Rex Bennet from Berlin of all places. That's different. The Sultan massages his beard and promises to be careful and to please keep him informed. Janet leaves.

As soon as she’s gone, though, Mueller whacks the Sultan over the head and he falls unconscious. The Nazi traitor moves to the fireplace and flips a switch. A panel on the floor slides open into the fireplace revealing a hidden staircase. Down in the hidden room two gents in Nazi uniforms and an Arab sympathizer come out and one of the Nazis looks very familiar.

The familiar one is Baron Von Rummler (Royce again) and he’s a ringer for the Sultan. (That Dr. Mengele is doing wonderful things. Yikes.) He takes the Sultans tunic and ring of power while Luger (Sigurd Tor) the other Nazi and Wolf (Frederic Brunn) drag the Sultan down into the secret room and chain him to the wall.

The Nazis have the whole hotel bugged and overhead the girl talking about the Rex Bennet being loose in Berlin. He orders Luger to contact Berlin and warn them. Mueller closes the trapdoor. The remaining two give each other the Nazi salute then leave to meet the other sheiks.

Meanwhile, in Berlin, an SS Commander has found the perfect agent for the next top secret assignment. He’s agent G-27, the man who killed thee Rex Bennet in Stalingrad. He sends the agent to meet Colonel Haupman for some special equipment and instructions. G-27 leaves as an orderly tells the Commander he has an urgent call from Casablanca.

G-27 finds Haupman and he reveals his special assignment. It seems there’s an old prophecy that the sheiks of Africa believe. You take the Dagger of Solomon to an ancient tomb (of somebody, sorry I couldn’t interpret it.) and the Dagger is a key to open the tomb. Inside is an ancient scroll and it will allegedly tell the sheiks who to side with. (And it took only six writers to come up with that.)

The Nazis have the Dagger and have created a fake scroll that tells the sheiks to follow the sign of the swastika. G-27's job is to go to Africa and plant the fake scroll in the tomb and then secret the Dagger to the fake Sultan. A stolen American plane awaits for him at the airfield to allow him to sneak onto the continent. Haupman’s phone rings. The SS Commander tells him Agent G-27 is dead and the man he just gave the scroll too is thee Rex Bennet (Rod Cameron).

It starts as a fistfight that devolves into a wrestling match as they tear the basement to pieces. They throw each other around the room and eventually pull a pair of sabers off the wall. Bennet easily disarms Haupman but he’s a gallant hero and flips the sword back to him but time is short so he eventually skewers him. He takes up the satchel containing the Dagger and fake scroll. Before he leaves he takes his saber and plunges it into a portrait of Hitler hanging on the wall. (I’m sure the audiences back in 1943 got a big kick out of that.)

He makes it to the airport without incident. A flight tech has the plane ready and waiting. Bennet jumps in the plane and slips the flight tech a tip. The plane takes off and the flight tech examines the coin he got that plainly reads God Bless America. (What a guy.)

We switch locales and find Bennet and La Salle meeting with the fake Sultan and his sheiks. He tells them about the Nazi conspiracy. Von Rummler rumbles that it sounds like an Allied plot to soil Germany’s good name and asks to see some proof. Bennet says the Dagger and Scroll are in his hotel room but he can get them. (Why he didn’t bring them in the first place is another mystery worthy of a 15-chapter serial.) He phones Janet who’s guarding them in her hotel room that La Salle is coming to fetch them.

The Nazis in the secret room overhear this and Wolf runs off to beat La Salle back to the room and recover the Dagger and Scroll. He knocks on the door and Janet assumes it’s La Salle and opens it. Wolf forces her into the closet and gathers up the goods. There’s another knock on the door and Janet warns La Salle. Wolf shoots several bullets through both doors and jumps out the window. La Salle breaks in and lets Janet out. He tells her to call Poncho, I mean Bennet, and tears off after Wolf, guns a-blazing.

Bennet and Janet wait for word from La Salle at police headquarters. He finally reports in that he traced Wolf to an old fruit warehouse along the river. They arrive and find La Salle’s hat and gun discarded on the ground. Bennet gives Janet the gun and tells her to not let anyone get away.

Inside, La Salle is tied up and another henchmen whips him while Wolf gleefully watches but La Salle won’t talk. Wolf tries to stick his lit cigarette into La Salle’s eye but Bennet gets the drop on them and stops him in the nick of time. But the guy with the whip whips the gun out of Bennet’s hand and they all start beating the hell out of each other.

La Salle tries to help as best he can by kicking anybody who gets close to him (including Bennet.) Wolf escapes outside but has to duck several shots from Janet. He runs down the loading dock and escapes in a motor boat. Janet goes inside and blasts the whip guy who was about to smash Bennet’s head in. They untie La Salle and he tells them Wolf gave the Dagger and Scroll to the captain of a German munitions boat and they’re taking it down river to plant it in the tomb.

We cut to the S.S. Fisher Price chugging up river. The captain warns the man behind the wheel to not run onto any sandbars or the volatile fuel and munitions they’re carrying will explode and then heads down to the boiler room. (Well if it was obvious before it's obvious that this is all going to end in fire.) 

Bennet manages to catch up to the boat with his car. He gets ahead of it a ways and then dives headfirst into the river and intercepts the boat. He sneaks aboard and knocks out the guard on the deck and makes his way into the hold. (I point out that the hold with all the explosives is the same room with the open hearth where two workers are chucking firewood as the captain oversees them.)

Bennet again gets the drop on them and demands the satchel containing the Dagger and Scroll from the captain. The skipper nods at one of his crew and he throws a switch and Bennet is blasted with hot steam. He of course drops his gun and for a third time a room is destroyed as the protagonist battles the three men. The odds are made better when the captain accidentally kills one of his own men. He killed the wrong one though because the other genius throws a keg of powder at Bennet but misses and it flies right into the fire.

Outside the guard wakes up and hears the ruckus inside but the door is locked. He grabs his Thompson machine gun and starts blasting the door. Bennet dodges the bullets but the other two aren’t so lucky. He gathers the satchel and takes cover as the guard outside continues to blast away. Bennet looks back into the fire as the flames lick around the barrel. 

He’s trapped.

We cut to a long shot of the boat and it explodes.

To Be Continued In

The Origins of the Cliffhangers

You have to trace the origins of the movie serial all the way back to 1912. The motion picture itself was in its infancy when the Mclure’s Ladies Word magazine came up with a new circulation strategy. They would have a story done in installments so the readers would have to keep buying the magazine to find out what happened. It was a hit and they decided to turn it into a movie.

They turned to Thomas Edison’s film company who adapted it into What Happened to Mary. It wasn’t a serial cliffhanger as we’ve come to know them. Each vignette was for the most part self-contained but the ending always hinted towards something coming in the next chapter.

The template for the serial as we know it was set with Pearl White’s The Perils of Pauline. The story involved her character receiving an inheritance and some evil co-conspirators conspiring to bump her off and take the money for themselves. Intricate deathtraps and travels to exotic locations around the world started here and most importantly the heroine came into some kind of peril at the end of the episode and you had to wait at least a week to find out what happened. (In fact that’s how the term cliffhanger originated because the protagonist often found themselves dangling from a cliff.)

The silent serials flourished with everyone getting in on the act. Harry Houdini, Red Grange and Jack Dempsey all took their turn. With the twenties coming to a close the advent of sound crippled the serial making business. Serials were simple to make and relatively inexpensive but with the new technology (sound) most studios focused there energies and money on bigger efforts. The studios had already over saturated the market anyway and the popularity of the serials was dwindling.

The western serials still did good business because they were for the most part still cheap to make. Buck "Red Rider" Jones (Yes, it was his BB gun that Ralph wants in A Christmas Story) Tom Mix and Ken Maynard were very popular. John Wayne also cut his acting teeth in the cliffhangers but not very many westerns. He was in The Hurricane Express where he tried to stop train saboteurs and The Three Musketeers that found the Duke in the Foreign Legion.

The serials started to bounce back when they shifted their focus away from the adult audiences to the matinee crowd. While biplanes barnstormed the country, everybody got plane happy and wanted to see them on the big screen. Serials took the next big step and started adapting Sunday comic book heroes to the screen with the dog-fighting adventures of Tailspin Tommy and Ace Drummond.

The serial cemented itself as a matinee staple when Mascot Studios combined the elements of every serial ever made (a singing cowboy, wild stunts, exotic locales and plenty of fisticuffs) with The Phantom Empire. Gene Autry made his screen debut here defending his ranch from an underground civilization. It also introduced science fiction, fantasy and several serial staples, big clunky robots (decked out in metal cowboy hats) hidden civilizations hell bent on conquering the surface world and a big-honking death ray.

The film was a big hit and the serials were set for golden age. They just needed a spark to ignite it and they got it from a certain ray-gun firing rocket jockey.

Stay tuned!

 
Posted: 12/15/02. Copy and paste at your own legal risk.
 
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