We
open someplace cold, very cold, where a
severe winter storm bitterly roars on
unabated. A sign clues us in that we’re
looking at an army base in Anchorage,
Alaska and we spy a lone figure making his
way through the cold and into the
Officer's Club to thaw out. While shaking
the snow off, ace reporter Ned Scott (Douglas
Spencer) recognizes one of the
pilots playing cards with two other
airmen. Lt. Eddie Dykes (James
Young) remembers Scotty, and
introduces him to Captain Patrick Hendry
and Lt. "Mac" McPherson (Ken
Tobey and Robert Nichols).
Although
the credits list him as Ken Erickson,
and several characters actually refer to
him as Ken during the film, at some
point, Nichol's character was changed to
McPherson. I know there was a Ken
Erickson in screenwriter Charles
Lederer's first draft of the script and
another character named McAuliffe that
was eventually dumped, so maybe this is
just an amalgamation of characters. Back
to the review!
Asking
what brings him to the top of the world,
Scotty replies that he’s looking for a
story -- any story, but General Fogerty is
"nursing his secrets like a June
Bride." The conversation quickly
leads to a discussion of a "picnic
party" up north around the North
Pole: a group of scientists, led by the
famous Dr. Carrington, are up there doing
whatever scientists do. When Mac and Eddie
imply that there is another, more feminine
character among them, they offer that
Hendry can fill in the details but he
ain't talking. They continue to ride
Hendry on this obvious sore spot until he
pulls rank and makes them change the
subject. Then
word comes over the intercom for Hendry to
report to Fogerty's office, and as he
leaves, Scotty asks to be let in if it
amounts to anything.
Reporting
as ordered, Hendry is briefed over a
message from the research party -- and
even the General (David McMananon) manages
to get a barb in about this mystery women.
Seems
something big has crashed near the
outpost, so they're requesting military
assistance to investigate further. Fearing
the Russians might be up to something,
Fogerty intends to send Hendry and his
crew in A.S.A.P. and begrudgingly gives
permission to bring Scotty along for the
ride -- as long as Hendry promises to
maroon the nosey reporter up there.
*
* * *
Wohoo!
My 50th review!
Now,
the selection for this particular honor
was really quite simple. When people ask
me What's the worst movie I've ever seen?
I usually answer with something cryptic
like: Define 'the worst?' But when people
ask What's your favorite movie of all
time? the answer is simple:
The
Thing From Another World
And
they usually reply, Oh, your favorite
B-movie.
To
which I say, No. It's my favorite movie.
Period.
Back
in 1987, I received the greatest Christmas
present ever. Nope, not Peace on Earth --
I got me a VHS VCR. After five frustrating
years of putting up with a Betamax, I
finally threw off the yoke of the
non-wireless remote control and joined the
modern age. Thank
you, Santa! (The
whole sad and sordid affair is gone into
greater detail in my It
Came From Hollywood review.)
Being the B-Movie freak that I
was -- and still am, I immediately headed
to the local video store and dove into the
treasure trove of VHS titles. My first
buy: The
Thing from Another World.
Over
the years since, I've lost count of how
many times I've actually watched the film,
and I think this is the first review I've
ever written without having to take any
notes during a screening. Heck, with the
entire film committed to memory, I didn't
need to. From
Dimitri Tiomkin's creepy theramin score
over the dissolving opening credits, to
Ned Scott's infamous final warning, this
film defies all genre boundaries and is
pure cinema gold. Don't believe me? Read
on...
On
the flight to the compound, we’re
introduced to the rest of Pat’s crew:
Sgt. Bob and Cpl. Barnes (Dewey
Martin and William
Self), and while they try to fill
Scotty in on the more intimate details of
Hendry’s disastrous encounter with the
mystery girl, they're interrupted by a
call from the outpost: seems there’s
some kind of magnetic disturbance that's
making the compass very unreliable, so
they have to home in on the outpost’s
radio signal. When they arrive, we get the
feeling that they've all been here before.
All the scientist are friendly folks, and
Scotty starts asking if anyone knows what
really crashed into the ice. When Hendry
leaves to check in with Carrington, Eddie
and Mac try and go with him -- they want
to give the mystery woman the what for
over the way she treated their Captain.
Promising to get even someday, Hendry
heads on alone. Taking a detour from the
lab, he heads to a small office and knocks
on the door, and then we finally get to
meet the cause of all this grief: Nikki
Nicholson (Margaret Sheridan).
Trading barbs over their incendiary first
date, Hendry is a little foggy on the
details, but he knows he made an ass out
of himself, and asks if they can just
start over. She’s says all that will
have to wait because Carrington needs to
see him right away.
From
what we can piece together, on the
group's last trip to the outpost, Hendry
talked Nikki into returning with them to
Anchorage for a night on the town. Turns
out Hendry can't handle his liquor, and
Nikki wound up drinking him under the
table and then helped him back to the
barracks, and out of his clothes, and
into bed. Leaving a note on his chest
complimenting him on his hairy legs,
Nikki took the next cargo plane back to
the outpost. Others saw the note before
Hendry woke up and now the whole
Air-Corps is laughing at him. Ain't that
cute? On with the review!
Leading
him to the lab, we meet Dr. Carrington (Robert
Cornwaithe) and several other
scientists (including Paul Frees --
the voice of Boris Badenov, and George
Fennerman -- Groucho Marx’s straight man
on What’s
My Line.)
As
the doctor
tells Hendry that whatever crashed weighed
around twenty-thousand tons, Hendry
assumes it was just a meteor; but when
they show him pictures where the
"meteor" made a sharp left turn,
it either defied all the laws of physics
or it isn’t a meteor.
While
the other scientists try to explain how
they computated the precise point of
impact, Hendry is quickly lost in the
techno-babble. Then one jump cut later,
we’re back in the plane as they fly to
the crash site. As they get closer, the
faulty compass gets even faultier and the
Geiger Counter starts flashing and
pinging. They land the plane and make
their way toward the source of the
radiation, and whatever it was, it came in
at an angle, skidded along the icy
surface, generating enough heat to melt
through the icecap and then promptly sank.
As it cooled, the ice then refroze and
what appears to be an air-foil, jutting
out of the ice, is the only thing still
visible. The excitement mounts as everyone
is getting the sense that whatever is
buried under the ice isn't local, and this
is confirmed when they slowly spread out
and determine the craft's circular shape.

After
a brief, yet tantalizing pause, the
company realizes they've found an intact
flying saucer! Wanting to report the
discovery of the century, Scotty begs to
let him radio it in; but until he gets
clearance from a higher authority, Hendry
won't let him, which pisses Scotty off to
no end. Ignoring the volatile reporter,
Hendry and his men pack thermite charges
all over the ice. In theory, the compound
will melt the ice in about 30-seconds. But
when they ignite the explosives, something
goes wrong: the craft starts burning under
the ice, and then it explodes! And when
the smoke clears, there is no trace of the
radiation or the ship, just a smoldering
hole in the ice. (They
blew it up real good.)
While
Scotty snarkily scolds them for turning
the world's greatest discovery "into
a Fourth of July piece," Bob’s
Geiger-Counter starts ticking again.
Following the readings, he leads them to
something else buried in the ice -- and it
looks like a man! After the thermite
disaster, they use picks and axes to chop
the "pilot" out of the ice to
take back to the base. And they
have to hurry, to, because a nasty storm
is on its way. (He
said ominously.) Winding up
with a giant ice-cube with the alien still
frozen inside, they quickly load him up
and fly the whole thing back to camp.
When
they get back, the camp is quickly divided
on what to do next. Carrington wants to
defrost the alien and examine it, but
Hendry says they have to keep it on ice
and can't proceed until they get orders
from Fogerty. Tension mounts as the
approaching storm kicks up enough static
interference to make their radios useless,
meaning contact with Fogerty is next to
impossible. Hendry promises to keep trying
to get a message through and just to be
safe, he places a guard where the Thing
is stored in case one of the egg-heads
gets any funny ideas.
Since
all they can do now is sit tight and wait,
Hendry and Nikki take the opportunity to
start over, resulting in a truly funny
scene where he allows her to tie his hands
together in case he loses control like he
did before on the first date. As their
romance heats up over several shots of
bourbon, Barnes takes over guard duty in
the storage room. Keeping the room frigid
to maintain the ice, Barnes bundles up and
accidentally places and electric blanket
over the ice-block so he doesn’t have to
look at the ugly critter inside.
Amazingly, it melts the ice without either
shorting out or Barnes noticing. (He
is wearing thick ear muffs, and he is
reading with his back to the ice block, so
I guess this is plausible.)
Completely
defrosted, the Thing (James
Arness -- yep, Marshall Dillon is in two
of my favorite films. This and THEM!)
wakes up, and wakes up really cranky. When
Barnes finally hears him, the airman is so
frightened he fires his gun at the
monster, emptying the whole clip, but it
has no effect -- so he runs away as fast
as his legs will carry him. Finding the
others in the cafeteria, the hysterical
Barnes warns them the Thing is
alive and on the loose. Arming themselves,
the other airmen return to the storeroom
-- but find it empty. Outside, they hear
the sled-dogs barking up a storm. Through
the broken window, they watch as several
dogs maul and savage the alien. Fighting
back, the creature kills several animals
and then disappears into the blowing and
blinding snow. Donning their thermal gear,
the airmen head out, and among the dead
dogs, they find the Thing's severed
arm.
Bringing
the appendage inside, after the scientists
run several tests on it, they determine
that the creature is more vegetable than
animal. With no veins or muscle structure,
they also discover what appears to be seed
pods imbedded under its barbarous claws. Carrington
loves the idea: a vegetable would have no
emotions to cloud its judgment, making it
"our superior -- our superior in
everyway."
At
this point you have to ask: Are we
supposed to think Carrington is some
kind of Commie? I don’t think so.
Honest. He’s so involved with
improving mankind’s knowledge quotient
that he has no time for politics. Now
back to the review, comrades!
Scotty
can’t quite believe his spiel, but
promises his readers will when he’s done
with the story: "A killer carrot from
space? The mind boggles."
Hendry
gathers his men to plot the next course of
action when the severed hand comes to life
and starts to move! Noticing that
the canine blood that covered it is gone,
Carrington deduces that it absorbed the
blood, and following the scientific
method, concludes the creature and its
kind must live on blood. Gathering
axes, the military men sweep the base to
make sure the Thing isn't back
inside. Convinced that they can
communicate with it, Carrington pleads
with them not to destroy this new
"source of wisdom." The room to
room search ends in the greenhouse with no
sign of the alien, but Carrington notices
that some of the plants are wilted. When
the others leave, he secretly signals a
few of the other scientists to stay
behind. Reexamining the lock on the
outside door, they find it has been
tampered with. They also spy some blood on
the floor, and then trail it to find one
of the dogs bled white in one of the
storage cabinets. Carrington observes
it’s obvious that the creature would
come here; the only open earth within a
thousand miles. He then convinces the
others to keep quiet on their discovery
and help him stakeout the greenhouse; the
good doctor believes that science, not the
military, can handle the situation better.
Time
passes and the storm worsens. A search
party returns, but the only thing they
managed to do was flush out a polar bear.
While they warm up in the cafeteria, a
severally injured Dr. Stern stumbles in
and collapses. After some applied smelling
salts, Stern (Eduard
France) tells them how he was in
the greenhouse with two others, when the Thing
broke in and attacked them. Stern stumbled
out of the way, fell, and hit his head,
and when he came to, he saw the others
hanging upside down from the ceiling with
their throats cut. He then managed to
sneak out without the Thing seeing
him.
Arming
up, Hendry leads the charge to the
greenhouse. He sends Mac and Eddie outside
to barricade the greenhouse's outside
door, hopefully trapping the Thing
inside between them. Scotty tags along,
camera at the ready. As Bob locks and
loads his M1 Carbine, the group head for
the inside door. Asking if Bob's ready, he
tells Hendry he isn't, but to go ahead and
open the door anyway. Quietly, Hendry
pulls on the doorknob, and when it opens,
he comes face to face with the monstrous Thing!
After the monster takes a swing at him and
misses, Hendry and Barnes throw themselves
against the door and manage to slam it
shut, destroying the creature's hand that
got caught in the jamb. Bob then fires
several round into the door, and the
monster backs off.
When
we notice the Thing's clawed hand
shattering as it tries to pull it back
inside after getting caught in the door,
we also realize it was the same hand
that the dogs ripped off. So that means
the vegetable-man can regenerate
appendages, and very quickly, meaning
this new damage won’t handicap him
very long either. And I honestly don't
know if this cool effect was planned, or
one of those divine cinematic accidents.
Back to the film!
Barricading
both doors shut, the Thing is
trapped, for now. Hendry then confronts
Carrington about what he allowed to
happen, confining him to his quarters
until the crisis is resolved. Gathering
some of his colleagues -- including Nikki,
his personal secretary -- Carrington has
something he wants to show them something
in his room:
Taking
the seeds from the severed hand, he
planted them in some dirt, then saturated
it with blood raided from the infirmary
and now the seed-pods have finally
sprouted. Letting the others listen to the
pulsating plant bulbs with a stethoscope,
they agree it sounds like a mewling
newborn -- that's hungry. Hoping he has
enough blood to finish the job, the other
scientists begin to question Carrington's
motives. Obviously, the good doctor has
started to come off his spool a little. The
Thing is obviously doing the same
thing in the greenhouse, and they ask some
hard questions: What if it came to Earth
not to visit, but to conquer? Was it sent
here to grow an army? (So
was it our good fortune that he crashed in
the arctic?) But Carrington
doesn’t buy any of it: In science, there
is only phenomenon to study. And this
phenomenon must be seen through to the
end.
Sickened
by the display, Nikki asks to leave.
Carrington concedes and tells her to
transcribe his notes, and to let no one
else see them. As she types them up,
Hendry stops by for a visit. Confused that
the injured Stern was given a blood
transfusion, Hendry knows he delivered
35-units of plasma the last time he flew
supplies in and wants to know what’s
become of it. Telling him to take a swing
at her chin to mask her betrayal, she
shows him Carrington’s lab notes. When
he's finished reading, he thanks her for
not stopping him. Before he goes, Nikki
asks him to go easy on Carrington because
he hasn’t slept since they found the Thing,
and he isn’t thinking right -- acting
like a kid with a new toy. As he leaves,
Hendry warns that this toy is liable to
bite him.
After
raiding Carrington’s nursery, Hendry
chastises him for his foolish actions --
as do most of the other scientists who are
no longer on Carrington's side. As Dr.
Chapman (John
Dierkes) reads him the riot act,
saying the Thing is obviously
multiplying itself in a similar fashion in
the greenhouse, its been decided for their
safety, and for the safety of the world,
the Thing must be destroyed. But
just then, a message from Fogerty finally
gets through saying to take whatever
action is necessary to protect themselves
but to take no action to harm the alien.
Vindicated, Carrington gloats that Hendry
can't disobey a direct order, but Hendry
offers he can testify to that fact at his
court-martial. But first, he'll try to get
Fogerty to change his mind -- if they can
get through.
More
time passes, and as the weather worsens,
they have to drop the guard on the outside
door of the greenhouse. As Hendry and his
men congregate in their barracks, Nikki
brings in some coffee and they discuss
what they can do to fight the Thing
since a gun has no effect. It's Scotty who
asks the 64-dollar question: "What do
you do with a vegetable?" And Nikki’s
answers are simple: "Boil it? Stew
it? Bake it? Fry it?" (Genius.)
With that, Bob hits upon the idea to douse
it with kerosene and then set it on fire. (Genius!)
It’s the only idea they have, so they
start to gather up buckets just as the
Geiger Counter starts to tick and flicker,
which can only mean the Thing is on
the move. So
while Nikki reads the rising radiation
levels, the others scramble to set up an
ambush. And when the detector pegs out,
the monster breaks into the room where
Barnes and Eddie douse it, then Mac fires
a flare gun and the Thing goes up
in flames. Dousing it again, the monster
goes berserk and soon the whole room is a
raging inferno. Fighting them off, the Thing
jumps out of a window and disappears into
the snow.
Their
barracks destroyed, the combatants limp
into the cafeteria to lick their wounds.
Gathering up more kerosene and some fire
extinguishers to try again, not wanting
the burn the whole complex down, Dr.
Redding (Fennerman)
steps up and suggests that instead of
kerosene, they use electricity to burn it.
Bob loves the idea: if they can rig an
electric flytrap and lure him into it,
they can flash-fry the Thing to a
crisp. Again,
the hopeless Hendry is quickly lost by the
technical aspects of the plan, so he
wisely just gets out of the way. As work
commences, they begin to notice a notable
drop in the temperature and a quick check
of all the heaters finds they're not
getting any oil. Knowing the Thing
is behind the obvious sabotage, they'll
have to hurry before it freezes them out.
Once again, it's Nikki who realizes that
the monster will probably go after the
electricity next so they all hole up in
the generator room where they'll set the
trap.
While
rigging up the wires, Carrington tries to
plead with them one last time to not kill
the alien, but they stopped listening to
him a long time ago. When the trap is
completed, all they can do is wait -- and
they don't have to wait for very long. The
Thing crashes into the hallway and
stalks toward them, closer and closer,
when suddenly, the lights conk out. In the
dark, Nikki shouts a warning that
Carrington managed to get hold of a gun
and shut off the generator. Sending Eddie
and Mac to hold the monster off, Hendry
leads the others back to try and get the
power back on. Luckily, Carrington is
quickly overpowered, but as the generator
slowly cranks back up, he breaks away and
runs to the alien. Imploring to its higher
intelligence to recognize him as a man of
science who only wants to tap into his
vast intellect, it seems the Thing
is sick of his spiel, too, and violently
knocks him to the side. Before it can do
anymore damage, Hendry and his men lure
the creature away from him and closer to
their trap. Finally working the Thing
into place, Hendry throws the switch and
the creature is caught in the electrical
arc that slowly burns it down into a
crispy cinder.
The
alien dead, it’s progeny burned, and
with the storm completely subsided --
inside and out, they finally get through
to Anchorage on the radio. Hendry let’s
Scotty make the first report, and after
taking the mike, the reporter alludes to
Noah once saving the world with an ark of
wood and says a similar service was made
today with an arc of electricity. He then
talks about the heroes of the battle,
including Dr. Carrington, and wants to
bring Hendry to the microphone -- but
he’s too busy planning his future with
Nikki. Before he goes into greater detail
of the battle, Scotty warns everyone to be
wary, and to look out for other invaders,
imploring us all to keep looking, and to
keep watching the skies.
The
end
The
year was 1951. And as The Cold War was
just starting to really heat up in Korea,
back home the country was in the grip of
UFO hysteria. Wanting
to cash in on both phenomenon, legendary
producer/director Howard Hawks -- he of Red
River,
His
Girl Friday
and Rio
Bravo
fame -- took the bare bones of John W.
Campbell’s story Who
Goes There
and turned it into this sci-fi classic.
Taking
place at the opposite polar pole,
Campbell's alien was a virulent
doppelganger whose true form was sorta
nebulous. As it assimilated and spread
throughout most of the compound, the
creature was eventually taken out by an
electrified snow-shovel. John Carpenter's
remake is more true to Campbell's tale of
mounting paranoia, but then gets a little
side-tracked with trying to make its
audience throw up. In Hawks' version, the
character of Dr. Carrington alludes to
this change, saying their creature is as
different from us as one pole to the
other. And from the plot description you
might be thinking The
Thing From Another World
sounds like a typical cheesy 1950s sci-fi
clunker, but what sets it apart is its
well-defined characters, eerie atmosphere,
incredible dialogue, and intriguing -- and
often hilarious subplots. And
remember, if it sounds familiar, you gotta
realize this one came first. Every
character in the film, no matter how
small, has his or her own little endearing
eccentricities or quirks. Watch as Hendry,
the stalwart leader, is reduced to
babbling idiot whenever he’s around
Nikki. And how the always helpful Bob
won’t allow Hendry to ever have the last
word. And then there's the great
camaraderie among Hendry’s crew, who
constantly crack wise and make fun of each
other (--
mostly Hendry.) Scotty
is definitely a quirky duck, too. With a
snide remark for everything, he's still
always there to help pitch in. (Spenser
takes this role and runs with it
brilliantly.) But there is no odder
duck in this film than Dr. Carrington, who
is so obsessed with the discovery that he
doesn’t realize the inherent danger of
his actions. (The original
"I’m not evil just misguided"
scientist.)
In
fact, I'll argue that there really isn't a
whole lot of difference between Hendry and
Carrington when you think about. Both are
capable men in their fields, yet they both
defer to others if it isn't their
particular field of expertise. They only
differ where Carrington will pursue
knowledge no matter what the consequence,
while Hendry realizes some knowledge must
be sacrificed for security. In this film,
Hendry is right and Carrington's wrong.
Here the military is in the right and
science is in wrong -- something that
would shift drastically as the genre
progressed into the late 1960's and
beyond.
We
all know there's been a heated argument
over the years as to who really directed
the film. Was it Hawks, or his long time
film-editor Christian Nyby? Put me in the
camp that believes Hawks directed it and
gave the credit to Nyby so he could get
his union credentials. Tobey,
Arness and other cast members have stated
that Nyby might have been the director,
but Hawks was the one really in charge.
For a modern equivalent, think of Steven
Spielberg and Tobe Hooper in Poltergeist.
It
really smells like a Hawk’s film: a
group of professionals who must band
together in an isolated area to fight off
some threat; strong female characters with
definite masculine qualities (notice
her name is Nikki, a derivative of her
last name Nicholson. We never find out
what her real first name is); and
overlapping, rapid-fire dialogue that will
take several viewings to fully absorb.
Now, are we talking about His
Girl Friday,
or The
Thing?
Even
today, new rumors are circulating that
Orson Wells was involved in the film to
add punch to the dialogue. Whoever it was,
they did a masterful job. (If
you listen closely, there are some real
gems.)
It isn’t completely spelled out for you,
but you can basically piece together what
happened on Hendry and Nikki’s first
disastrous date, and I love the way his
men deride him constantly over this.
Now,
can someone please explain to me why this
film is not out on DVD yet and is out of
print? You can’t find it to buy
anywhere, and if you do, you have to be
careful because there are two different
versions circulating around. Turner’s
"40th Anniversary" edition is
only 81-minutes long and is missing almost
6 minutes of the movie And whenever
it's on TNT or TBS its also
butchered beyond recognition and in
computerized color. Yuck.
This may not seem like much, but the
missing scenes are usually the romantic
interludes which help elevate this film
far above it’s B-movie brethren.
2001
marks the 50th Anniversary of The
Thing from Another World,
so could someone, anyone, please get the
full-length film out on DVD. PLEASE! My
old VidAmerica copy is all but worn
out, and then I'm totally screwed.
My
wish was finally granted as of September
'03! Wohoo!
I
could go on and on about this film sos'
I’ll just try to sum up:
The
Thing from Another World
is perfect. It has a perfect cast; it has
a perfect score; it’s wonderfully paced
and nothing is wasted; it’s funny,
witty, scary, action-packed, gruesome (mostly
implied), and by god, it’s even
romantic. And that's what strikes me most
about this film -- how funny it is. Not
campy, but genuinely funny. Seek this
movie. Find this movie. Watch this movie.
And you will love this movie, too. Trust
me.
And
remember…
Keep
watching the skies. Everywhere! Keep
looking. Keep watching the skies! |