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Okay,
sing it with me:
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"Stronger
than a whale! He can swim anywhere! |
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He
can breathe underwater, and go flying
through the air! |
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The noble Sub-Mariner!
Prince of the Deep! |
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Something!
Something! Something! Something!
Something! |
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Lord Namor of Atlantis is
the Prince of the Deep!" |
Sorry.
Try as a might, I could not decipher that
last part of the chorus. To me, it's sounds
something like "He's a hairy-knuckled
demon" but I don't believe that's
quite right. Several people have e-mailed
in, and according to them, the actual
lyrics go "So beware any
demons!" Sounds good to me:
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"Stronger
than a whale! He can swim anywhere! |
|
He
can breathe underwater and go flying
through the air! |
|
The noble Sub-Mariner!
Prince of the Deep! |
|
So beware
any Demons! |
|
Lord Namor of Atlantis is
the Prince of the Deep!" |
Our
first episode, Atlantis
Under Attack,
begins in that fabled underwater city. The
Sacred Trident of Neptune -- the symbol of
royalty and leadership, has been stolen.
Prince Namor, the fabled Sub-Mariner, must
face the fact that Vashti, his trusted
grand vizier, is the prime suspect because
he, too, is missing. (And
that's an awful lot of commas for one
paragraph.)
Namor
can't believe that his trusted advisor
would betray him, so along with his
beloved Lady Dorma, they search for clues
to exonerate their friend.
But all they can find in the chamber where
the Trident (a
diamond studded pitchfork)
was kept is a chunk of amethyst from the
Dreaded Caverns. Namor believes Vashti has
been caught up in some kind of plot to
overthrow him. Dorma thinks the rock was
planted there to lure Namor away into a
trap. Namor doesn't disagree, but he must
help Vashti. Dorma
offers to go with him, but Namor tells her
to stay put and keep an eye on things
while he's gone -- because there is treachery
afoot.
He's
right. As Namor swims off, he's under the
watch of the Warlord Attuma -- the one who
really stole the Trident. He also
kidnapped Vashti and secluded him in the
Dreaded Caverns, under the guard of the
hideous Man-Monster. Attuma is confident
that Namor won't survive the encounter. In
fact, he might not even make it to the
Dreaded Caverns because he's got to cross
the Sea Forest, with all the carnivorous
plants, first.
Namor
is attacked by some killer vines and a
giant, man-eating clam. While he fights off
the flora and fauna, Vashti is trapped in
the Dreaded Caverns between the Man-Monster
and The Bottomless Pit of Perdition.
Meanwhile, without it's protector,
Atlantis is quickly overrun by the rebels
and Attuma claims himself the new Emperor.
Our hero escapes both the plant and the
clam, but now must confront the
Man-Monster.
Lady
Dorma manages to sneak out of Atlantis to
warn her Prince of Attuma's treachery. She
makes her way to the Sea Forest, but
quickly gets stuck and starts sinking into
the Quagmire of Doom. After a brief
skirmish, Namor knocks the Man Monster into
The Bottomless Pit of Perdition and
rescues Vashti. Swimming back to Atlantis
they are intercepted by a school of fish.
Namor recognizes this Lassie tactic and
deduces that Dorma is in trouble. He sends
Vashti on ahead while he rescues Dorma in
the nick of time.
Vashti
blunders into Atlantis and is quickly recaptured, but he won't reveal Namor's
whereabouts. Attuma says he'll regret that
decision, because now, he has to resort to
torture and calls for his Iron Idol of
Infamy (a fancy name for an iron
maiden) to be brought over from his
old place. Dorma fills Namor in on
Atlantis' fall into enemy hands. Spotting
Attuma's men hauling the huge Idol into
Atlantis, Namor recognizes it, and in an
amazing leap of deduction, realizes it's
meant for Vashti and attacks.
A
short while later, the Iron Idol of Infamy
is rolled into the palace. But Namor used
it as Trojan Horse and quickly dispatches
Attuma. Their leader fallen, Attuma's men
quickly surrender. Loyal Vashti gets to
decide his punishment: and Attuma is to be banished with a
silver bell soldered around his neck, to
remind him that a shameful defeat is worse
than death.
After
a rousing second dose of the Sub-Mariners
theme song, the second episode, Dr.
Doom's Day,
begins.
It
begins in Latveria; Dr. Doom's country of
origin. He's outraged because Earth's
Allies for Peace are opening up a brand new
headquarters. Doom plans to counter this
Alliance for Peace with an Army of Evil.
Cranking up his High Frequency Emotional
Charger, he manipulates Earth's
super-villains into attacking all at once,
and promises to turn the Peace Day into
The Final Destruction Day.
The
grand opening of the Peace Building gets
off to a rocky start. Charles Xavier, the
mutant telepath, and leader of the X-Men,
senses they're about to be attacked. The
floor erupts, and out spills the Mole Man
and his mindless subterraneans. Professor
X summons his X-Men: Cyclops, Marvel Girl,
Beast, Angel and Iceman, and they quickly
rout the Mole Man's forces and force them
back down into the hole that the Ice-Man
quickly plugs up.
I'm
sure this appearance by the original
X-Men will be a severe disappointment to
some, because the video box claims a
guest cameo by the X-Men that
prominently features Wolverine on both the
front and back covers!
But
the Mole Man is only the tip of the
iceberg. The bad guys come from
everywhere: The Mandarin and his deadly
rings, and the electrically charged
Electro! The Grey Gargoyle, Kang, the
Unicorn, the Black Knight, The Mad Thinker
and his Awesome Android, and countless
more. Luckily,
the X-Men aren't the only heroes at the
ceremony. The Mighty Thor shows up, and
with his trusty hammer, dispatches the
slimy Super-Skrull. The battle is also
joined by Iron Man and the Avengers:
Captain America, Quicksilver, The Scarlet
Witch, and the famed archer -- and terminal
wiseass, Hawkeye.
The
balance of battle is about to be tipped,
though, because from out of the ocean, Attuma (who
appears to have recovered from his earlier
shellacking)
surfaces with his rebel army, ready to
conquer the surface world. Next comes the
fascists agents of Hydra, carrying a
deadly Vortex bomb, on a speeding truck.
The tide turns when The Angel commandeers
the truck. Redirecting it, he
crashes the truck into the ocean where the
vortex bomb explodes, sucking Attuma's army back
into the murky depths from whence it came.
While
the heroes mop up what's left of his Army
of Evil, Dr. Doom heads to Atlantis and
dupes Namor, the Sub-Mariner (this
is his cartoon remember), into
becoming allies, and together, they can
conquer the world. (Namor
has been narrating this story and he
prefaces it by saying it took place back
when he was at odds with the surface
world.) Namor
agrees, and Doom gives him a magnetic
doohickey called the Grabber. He tells
Namor to plant it in the Peace Building,
and then he'll take care of the rest.
Bluffing
his way into the Peace Building, Namor
comes to seek the hero's trust. Professor
X doesn't trust him, and with good reason.
After Namor plants the device, the building
shakes violently. Too late the heroes
realize that the entire building has been
seized in a magnetic field and is slowly
being towed into space. Yes -- the whole
building is being towed into space by Dr.
Doom's rocket plane. (That's one
fine piece of structural engineering.)
Realizing
that Dr. Doom has double crossed him,
Namor sides with the heroes. Dr. Doom
gloats that soon they'll all be dead because there's no oxygen in outer
space, and just to be sure, he's going to send
the building on a crash-course with the
sun. Time
is running out, but by using a handy
meteor shower, Namor leap frogs up to
Doom's rocket and fights through his
defenses. Doom's last device is an immense
electrical charge, but Namor conducts it,
like an eel, and redirects back toward
Doom -- shorting out his power suit. Doom
manages to escape and hitches a ride on
one of the meteors to parts unknown.
Letting
him go, Namor has more pressing matters to
attend to; like getting the Peace Building
back down to a more breathable altitude.
He succeeds, and the episode ends with him
pledging with the other heroes that
someday, hopefully, they can all live in
peace.
The
End
The
Sub-Mariner was one of Marvel Comic's
flagship characters. He fought alongside
Captain America and the first Human Torch
against the Nazis and Japs in World War
II. He also successfully made the
transition to the newer continuity, along
with Cap, after The
Fantastic Four
started Marvel's innovative golden age in
the '60s.
When
he came back, he alternated almost weekly
from being a hero or a villain. In his
own title, he was fighting treachery in
Atlantis. In other mags, he was a
troublemaker, invader of the surface world,
and a frequent tormentor of The Fantastic
Four, because he had a thing for The
Invisible Girl. However,
the character could never carry a solo
title for very long. He's had three failed
attempts at his own series and shared a
title with The Hulk, but was eventually
dumped. Since then, he's served as a
member in several team books, including The
Defenders
and The
Avengers.
In
1966, Marvel Comics teamed with
Gantry/Lawrence Animation Studios to bring
their new, and immensely popular
super-heroes to the small screen. They all
made there debut on The
Marvel Super-Heroes Show
to the tune of "The
Merry Marching Marvel Society"
song. All
of Marvel's big guns at the time were
featured in their own serialized
adventures: The Hulk, Thor, Iron Man,
Captain America and the Sub-Mariner all
had their show. The
Fantastic Four
and Spider-Man
had their own animated series at the time,
too. Unfortunately, back then, The
X-Men
and Dr.
Strange
were strictly second bananas and left out.
What
everyone remembers mostly about these old
cartoons are the loopy theme songs and the
minimal animation involved. In fact, all
the animation consists of is taking old
drawings by Marvel greats like Jack Kirby,
Don Heck, Lew Ayres, and Joe Sinott, and
panning the camera over them. You'd
occasionally get a moving body-part --
often with unintentionally hilarious
results. (See the Ice-Man
illustration above.)
Couple that with a bombastic musical score,
and the hilarious gonging sound-effects --
that are spelled out on the screen, like
the old Batman
TV show, makes it really depressing that
these series only lasted a meager
13-episodes.
The
voice talents never get a screen credit, but there
are plenty of familiar regulars voicing
the characters. One voice is unmistakable:
John Vernon is clearly recognizable as
several characters -- including
Sub-Mariner and Iron Man. I also recognize
the very familiar Ted Cassidy roar in
several spots.
The
plots are lifted straight from the comics.
Stan Lee's stories play out great on the
comic book panels, but are extremely corny
on the screen. I mean -- the The
Bottomless Pit of Perdition? The Iron Idol
of Infamy? C'mon. And the scripts are very
repetitive as the characters constantly
remind you where they're going, and spell
out what
they're doing. It is corny, melodramatic,
and even a bit maudlin, but it's still a
fairly good time.
The
first episode on the tape is gleaned from
the pages of Tales
to Astonish
-- a comic where the Ant-Man and The Wasp
originated, but was later shared by Subby
and The Hulk. Subby was eventually dropped
and the title officially changed to The
Incredible Hulk
around issue #100 (and
I've been reading old green skin ever
since!)
The
second is kind of a bastardized version of
the classic Fantastic
Four Annual #3.
Instead of congregating for the opening of
the Peace Building, all of Marvel's heroes
were headed to the Baxter Building for the
wedding of Reed Richards and Sue Storm (a/k/a
Mr. Fantastic and Invisible Girl of the
fabled Fantastic Four.) Dr. Doom was
trying to spoil the wedding, but failed. It
was Marvel's first company wide crossover
and Battle Royale! The
latter part of the episode is taken from
earlier issues of The
Fantastic Four,
when Namor was duped by Dr. Doom into
planting the magnetic device in the Baxter
Building. Beyond that, it's a fairly
faithful adaptation of the comics.
As
animated adventures go, these old static
cartoons fail pretty miserably. But as
time capsules, they're beautiful. I love
Marvel Comics and it's rich and storied
history. I'm constantly tearing through
the Essential Collections -- the black and
white reprints of old Marvel comics. (The
Marvel Masterworks are in full color but
way too expensive.) I've
seen episodes of Cap, Subby, Iron Man, and
Thor, and I'm on the look out for the
Hulk. I hope someone out there is
listening and gets all the episodes
released in DVD box-set. There are plenty of
comic-book nuts like myself that are --
despite the technical shortcomings,
completely gonzo for this kind of stuff.
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