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There
isn’t much of a plot to Pop
Gear. It’s a
concert movie, with each act introduced by the mod British DJ, Jimmy
Saville. The film
came out in 1964, at the height of the first British pop invasion.
Sandwiched between taped concert excerpts of The Beatles, a wide
variety of music groups wander around standard '60s variety show
stages and belt out their tunes.
Some
of them you’ve heard of like Hermann’s Hermits and The Animals. (I’ll
never tire of Eric Burdon's soulful rendition of "House
of the Rising Sun."
) Others you’ll recognize the songs but don’t have clue
who sang them, until now. In particular, The Honeycombs, Sounds
Incorporated and The Rocking Berries. While others are a complete
enigma. (I guess they never made it over the pond.)
There
were some very pleasant surprises from these unknowns who picked up
at least one new fan. The Nashville Teens with "Tobacco
Road", The
Fourmost with "A
Little Lovin’"
and The Four Pennies with their gut wrenching rendition of "Black
Clouds."
Admittedly,
most of these groups were one hit wonders - but their songs are so
hideously infectious, that you’ll have them stuck in your head for
eons. In particular the Honeycombs bouncy ditty "Have
I the Right".
(At least
it bumped that *$%# "Lois
Lane Blues"
song from Gone
in 60 Seconds out of rotation in my cerebral random play
jukebox. The ORIGINAL Gone in 60 you heathens!)
The
music is all about having fun. Some songs and groups are better than
others, while some will have you scratching your head at their
inclusion (I.E.
Matt Munro.)
The
thing I enjoyed most about Pop
Gear was, that
during the performances, you couldn’t help but notice the "Omigod
we’re in a movie" looks exchanged by band members. There was
a lot of love there, man. You dig? (I
dig.)
I'm
ashamed to admit, though, that the first time through, I laughed at
this display of happiness. (Some
of these guys were just a little too giddy.) I began to
wonder about what they we’re doing now, and what they looked like,
40 years later, and snickered. Then I slowly realized that no matter
what they look like now, they partook in a #1 record and appeared in
a motion picture. Then I thought, "What have you done?" (That’s
right. Now shut up and enjoy the music.)
Beatles
elitist might not enjoy this film. I have no patience for you
people. There is substance beyond John, Paul, George and Ringo. (Just
ask Pete Best.)
I think the film could have survived without the Beatles bookends
and they almost seemed tacked on to cash in on Beatlemania, which is
disappointing. These acts can stand on their own.
If
you track down a copy of Pop
Gear, you’ll
definitely get an Austin
Powers vibe from
the acts.
In
fact, if you took Gordon’s hair and glasses (from
the duo of Peter and Gordon), and combined them with Peter
Noonan’s teeth (from Herman’s Hermits), and put
them on the bass player’s body from The Honeycombs, you’ll have
the spitting image of the International Man Mystery.
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