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In
a small town along the Rhine River, a
nervous, semi-naked bride-to-be tries on
her veil. Her attention is drawn to a
menacing tap at the window, but it's only
her fiancé (whew!)
who just can’t wait for their wedding.
Reminding him it’s bad luck to see the
bride early, he leaves. And as she returns
to her grooming, an evil
POV-shot lurks outside her window. She
hears something and investigates, thinking
it's the groom again, but a monster --
that resembles the Hideous Sun Demon
in drag, viciously mauls her to death and
the credits roll...
So
we’ve broken B-Movie Rule #234 and
#452: Showing both nudity and the
monster before the opening credits. This
does not bode well for the viewer. In
fact, the entire credit sequences is run
over a still of a dead naked woman.
Heaven help us, but let's press on.
At
the woman’s funeral, overcome with
grief, her ex-fiancé begins burying her
before the preacher can even finish the
eulogy. We spy some mystery woman observing
all of this from her horse drawn coach. Back
in town at the local café, the villagers
discuss the gruesome murder. The doctor
reveals that the victim’s heart was
missing. Most of the locals think it was a
bear attack, but the blind minstrel says
it reminds him of the old legends of the
Lorelei -- an evil water demon who lured
sailors to their death with her singing
and feminine wiles. According to the
legend, at a certain time during the seven
full moons, the nymphoid demon is
transformed into a hideous beast and must
devour human hearts to remain immortal.
Elke (Silvia
Tortosa), the headmistress of the
local college for girls, interrupts the
plot exposition to ask the mayor for
protection. Of course, every guy in the
place volunteers. Pulling the plug on all
the testosterone, the mayor promises that
he will send Sirgurd the mighty hunter (Tony
Kendall), alone, to protect the
school -- and all the shapely students..
Later,
at said school, the thirty-something coeds
are frolicking around the pool...And the
school for what, exactly? I haven’t a
clue, but I have a pretty good idea it's
Chicken Ranching -- if you know what I
mean. Anyway, cue up the drum roll of "C.C.
Rider"...A man, who looks
suspiciously like Elvis in a leisure suit,
rolls in on his motorcycle, driving the
girls into frenzy. Ladies
and gentlemen, This. Is. Sirgurd! As the
crowd goes wild, I gotta think maybe
they’ve all been locked up in the school
a little too long. Wow. Sirgurd
quickly sets the ground rules with a
curfew at nine, and complete lockdown by
nine-oh-five. Meanwhile, he gets free run
of the place to help protect the girls.
Elke isn’t all that impressed with him
-- or his chest hair, so you know they
fall in love by the end. Recess ends, and
the girls return to class. (Recess?!?
In college?!) That
evening, as Sirgurd patrols the grounds,
all the girls come to their windows to say
good night to the brave hunter -- and I
have a funny story about this scene, so
stick around.
In
town, the lizard-clawed POV-shot stalks
and kills another woman. The
next morning, a guy who looks like Col.
Sanders (Luis
Induni) confronts the blind
minstrel, and wants to know more about the
Lorelei legend. When the minstrel asks
why, it's because Sanders believes the
Lorelei monster is real. At
the funeral of the latest victim, Sirgurd
spots the mystery woman in her coach, but
she magically disappears before he can get
to her. That night, at the blind
minstrel’s home, the POV-shot breaks in
and kills him, and then we get our first
big gore shot as it rips his heart out. (Hey,
it’s a Euro-horror film, it's like a law
or something.)
The
next day, Elke won’t allow Sirgurd to
swim in the pool, so he goes for a dip in
the lake instead. There, he spots the
half-naked mystery woman running around.
Watching her for awhile, he decides to
skip his bath and heads home. On the way,
he catches Col. Sanders spying on him.
Turns out Sanders is really a scientist
who wants to let Sirgurd in on his
research that is "Against all
elemental principles of biology." To
try and convince Sirgurd that the Lorelei
is real, he takes a cadaver’s severed
hand and injects it with some kind of
mystery liquid. He then shines a light
that simulates moonlight on the hand and
it changes into a lizard's claw. Sanders
says that the hand is regressing back to
its original, primordial state. (What
the? Oh no, it’s The
She-Creature
all of a sudden.) He also reveals
that the only way to kill it is to use the
mythical Sword of Siegfried, and
luckily, he just happens to have one
handy. Sanders tells Sirgurd that it’s
radioactive, then stabs the scaly hand
with the blade and it reverts to normal. Despite
all the evidence, Sirgurd writes him off
as a crackpot and leaves.
At
the school, the glacial ice between
Sirgurd and Elke begins to break. We are
then entreated to a looooooong padding
sequence of a boat ride down the Rhine
while Elke tells us all about old Teutonic
folklore. Unbeknownst to them, the mystery
woman is just below the water’s surface
spying on them.
Sirgurd
returns to the lake and finds the aquatic
mystery woman who then reveals herself to
be the real Lorelei. (I
guess that means the legends are true.)
Luring him into a derelict building, he
introduces her to something called foreplay.
They discuss the Lorelei legend and he
mentions the loony scientist. And I’m
not sure who’s seducing who, but they
take too long. Lorelei has been out of the
water too long and is drying out. Alberic (Luis
Barboo), her hulking guardian,
takes her back into the water, leaving the
dumbfounded Sirgurd behind. Later,
Alberic and Lorelei pay a visit on Col.
Sanders. While Alberic whips the scientist
bloody, Lorelei burns his notes. Sanders
tries to grab the magic sword, but
accidentally grabs a vial of acid instead
-- and spills it all over himself! As his
face disintegrates, the two leave.
Back
at the school (and
it must be recess again because they’re
all at the pool), the mayor has
come to ask Sirgurd's help because
they’ve finally found the blind man’s
corpse. Sirgurd now believes in the
Lorelei legend and tells the mayor about
the scientist. They find the gooey mess
that was Col. Sanders, and Sirgurd takes
the magic sword. Meanwhile, the
locals have gathered with their torches
and pitchforks and are ready to hunt the
monster down. (They’re
in Germany, again, it’s a law.)
At the school, the Lorelei monster
interrupts the obligatory lesbian bathtub
scene. Luckily, Sirgurd hears their
screams and manages to chase it off before
they’re turned into unwilling organ
donors. (Why doesn’t he use the
sword instead of the rifle?)
Later,
Sirgurd and Elke’s obligatory "We
don't really hate each other, we’re
really in love scene" is interrupted
by a spring-loaded bush. (All
apologies to Jabootu.)
Sirgurd sends her back to safety while he
investigates. As she runs back, the
spring-loaded bush catches up and closes
in on her. When it’s almost upon her,
Sirgurd arrives in time to scare it off.
Okay,
now, here’s where the film takes a plot-tangent
right into a brick wall:
Suddenly,
we’re in a motor boat out on the lake
with Sirgurd and the mayor. Donning an
aqualung, Sirgurd leaves the mayor behind
with instructions to blow up the lake if
he doesn’t return. (Blow
up the lake, Right, Gotcha -- wait!) After
some minor underwater scuba-footage,
Sirgurd emerges in an underwater cavern.
He's greeted by Alberic and given some
renaissance festival clothes. We also
catch a glimpse of a few other semi-clad
sirens lurking about. Alberic takes him
before Lorelei who tells Sirgurd that he
has been selected to spend eternity with
her. But the noble Sirgurd says he can’t
because she's spilled the blood of
innocents. No sale. She even tries to
hypnotize him but Sirgurd can’t be
swayed. Extremely annoyed, Lorelei orders
Sirgurd to be chained up while she goes to
the surface and kills Elke to punish him
for spiting her. Lying on her altar as the
moonlight washes across her, Lorelei
transforms into the lizard thing and
leaves.
The
other mischievous sirens free Sirgurd to
take advantage of him. And while they
wrestle to see who goes first, he escapes
back to the surface. The mayor pulls him
into the boat, and the hunter drops a time
bomb back into the water that lands on top
of the cave.
I
call
this previous segment a tangent into a
brick wall because at no point in the
film has this lair of the Lorelei ever
been mentioned. How did he know where it
was!!
At
the school, Lorelei attacks Elke. The
creature draws blood, but Sirgurd arrives
in time and plunges the magic sword into
the beast, saving Elke. Mortally wounded,
the Lorelei stumbles off into the woods. Back
at the bottom of the lake, the bomb goes
off -- collapsing the cave, killing
Alberic and the other Sirens. Sirgurd
follows the monster back to the lake where
it reverts to her female form. While
Sirgurd holds her dying body, her spirit
appears to him on horseback. The spirit
tells him that she will be waiting for him
on the other side and rides off.
The
end
I
probably
could have picked a better film for my
first foray into Euroshock cinema, but
this film holds a special significance for
me as my first theatrical Midnight-Movie
Experience. Back
when I was still in high school, the local
theater held a midnight screening, and it
was showing none other than When
the Screaming Stops.
I arrived early, and after paying for my
ticket, received a small paper sack.
Assuming this was for free popcorn, I
sauntered up to the snack-bar and asked
the cute counter girl to fill it up --
hold the salt. She then informed me -- as
politely as she could -- that it wasn’t
for popcorn, but was a complimentary
motion-picture-sickness-bag. It was then
that I notice the sacks striking
similarity to an airliner’s barf-bag:
The film I was about to see was supposed
to be so gross, that we were to use the
bag if we got nauseous. Man! This was
gonna be great! We we’re also informed
that the screen would flash red whenever a
gruesome scene was approaching, so those
with weaker stomachs could avert their
eyes. Barely containing myself, I
settled into my seat and watched the film.
Turns
out I didn't need to use the bag, and the
warning lights were totally unnecessary,
but I always remember enjoying the film.
The fact that I kept calling the hero
Elvis; the gratuitous gore sequences; and
that I knew all about the Teutonic
folklore because of the Thor
comics I’d read, all kept this film
alive for me. But with almost the entire
film committed to memory, I unfortunately
couldn’t remember the damn title right.
For the last fifteen years, I’ve been
looking for a film called The
Night the Screaming Starts.
You wouldn’t believe the elation when I
picked up When
the Screaming Stops
video, read the synopsis on the back, and
realized that this was the holy grail
I’d been searching for.
The
film itself was as goofy as I remembered
it.
Written
and directed by Amando de Ossorio, he is
probably best known for the spectacular Tombs
of the Blind Dead.
And everything that he did right in Dead,
he basically does wrong here. It
is a weird mish mash of Italian horror
conventions and German mythology, and the
film obviously loses something in the
translation because the fact that Sirgurd
knew about the Lorelei’s underground
lair is just too big a plot hole for me to
forgive.
I
also recall the scene at the school, when
all the girls come to their windows to say
goodnight to Sirgurd. I could have sworn
that they opened the curtains and began to
strip out of their nightgowns, but then
there was a real bad film-splice -- and
the girls were magically lacing their
nightgowns back up, and closing the
curtains -- much to the dismay of males in
the audience. Unfortunately,
this seems to be a false memory, or a
hormone induced figment of my imagination.
All the other nude scenes and some
of the gore were also spliced out of the
print we we were shown back then. Still,
even undiluted, compared with other films
in the same genre, there is little nudity
and the gore-effects are strictly
Chef-Boyardee -- many a can of tomato
paste we’re sacrificed in making this
film. And once again, the loopy organ-soundtrack
appears to have been abducted from a porno
film.
There
really is no mystery or suspense to the
film, either. My
faulty memory also had the headmistress of
the school being the monster. (I
have got to cut back on the beer.)
It doesn’t take long for the locals to
accept the fact that a monster is doing
the killing. The scaly critter appears to
be a cross between an alligator, the Sun
Demon and a Gorn. And the gals
will be happy to know that the monster is
an equal opportunity killer, as it
actually kills more men than women.
The
only real problem that I have with the
film is the lack of a likeable character.
Sirgurd is a pompous ass and oozes smarmy
machismo -- and
I counted at least eleven different
leisure suits. While Elke switches from
ice queen to floozy so fast, and so often,
you don’t know which one will show up
from scene to scene. And everybody else is
killed off as soon as we’re introduced
to them. The
best part of the film is the wacko
scientist and his lab with all the free
roaming animals (including
a sheep that’s perhaps just a little too
friendly.) I loved the way Sirgurd
wasn’t fazed at all by the scientist’s
collection of cadaver parts, or that his
sci-babble made absolutely no sense. But I
think that’s the main reason why I
enjoyed When
the Screaming Stops so
much,
because it is so absurd -- in content and
execution. I’m also happy to report that
the flashing red lights are included on
the video, but alas, there were no
complimentary barf-bags at the video store
check out.
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