At
last
check, our hero was in bad shape.
B-Fest had bloodied him badly with
Anthony Newly and Pia Zadora. Battered,
but not yet broken, he cons his tired
butt and leaking brain into toughing it
out until the conclusion.
Seriously,
I can't feel my legs right now.
 |
| The
Midget Short |
| Midgets!
Midgets! Midgets! Midgets! |
The
lights went down and everyone settled
back into their seats. According to the
program, the next feature
was to be a midget short -- and that got the
crowd very excited. It was called Movie
Maniacs,
and it featured a drunken and surly
midget dressed up like Charlie Chaplin
running amok. He
eventually pisses off the wrong people and
has to make a run for it. The running
looked vaguely familiar, and just as I realized it
reminded me of The Wizard of Speed and
Time
a lone
audience member stormed the stage and
started kicking the floor.
Despite
the audience’s pleas, the short was not
repeated backwards.
 |
| Breakin' |
| It
Came From the '80s! |
Fifteen
films into a bad movie marathon and the
team of Golan/Globus finally shows up.
It’s a typical tale of spoiled upscale
kids versus poor downtrodden kids whose lives have
been honed by the mean streets of the
city. But here, instead of knifes and
chains, the class war is fought with the
power of dance. Dance! DANCE!
After
being expelled from a formal dance troupe
that was crimping their style, two break
dancers, Shabado Quinonas and Bugaloo
Shrimp, team up with Lucinda Dickey and
Christopher Macdonald and try to win a
spot in some big dance revue. Our
little troupe preservers and lands the
coveted last spot in the revue by dazzling
a panel of judges and gradually win them
over, eliminating their arch enemies of the
formal dance troupe in the process.
Oh,
yeah. The guy singing the theme from
Flashdance in the back of the theater?
That was me.
Okay,
so, we have a riot during Message from
Space, but the audience goes nuts and
cheers for a break dancing
movie?!?
I
tell you, there ain't no justice in this
world.
I
wonder if the cafeteria is open yet?
 |
| Battlefield
Earth |
| And
a Cheeseburger for the Man-Animal! |
I
belong to a select group of people who
comprise the Battlefield Earth Club. To
talk about Battlefield Earth Club can get
you into trouble. What little I can tell
you is the video was given to me, with
instructions to watch it, and then pass it
on to someone else. I did as I was told,
and last I heard that single copy had
exchanged hands at least a dozen times and
was now somewhere in Wyoming. In
other words -- seen it, and don’t want to see
it again. Never liked John Travolta. Never
will.
On the way to the cafeteria, I curse
Quentin Tarintino’s name for giving John
his career back. What was he thinking? I
don’t know...Travolta always had that
face that screams "Punch me!" I buy a couple of cheeseburgers, fries and a
big soda and find a table with a nice
scenic view of Lake Michigan. At this
point, I’m still not sure where Paul is
and I hope he’s okay. And factoring in all
the circumstances, those were the best
dang cheeseburgers I ever ate.
Satiated,
I found one of the computer stations
situated outside the theater empty and checked
my e-mail and dropped by the B-Message
Board and logged in on the Live from
B-Fest thread, and then made it
back inside the theater just in time to
see Big John blow the cows apart. *sigh*
I
settle back in my seat, marking time until
this -- thing -- ends.
 |
| Tarantula |
| Good
Old Nestor! |
Nothing
can restore your faith in humanity by
having a classic come along to wipe away
the memories of the previous film -- no
matter how beat up the print is.
Professor
Deemer’s experiments in growth hormones
goes horribly wrong. (They
always do.) His intentions for
stopping world hunger are noble, but I’m
still puzzled as to why he tried the
growth serum on a tarantula. (Well,
I guess there are eight drumsticks to
fight over at the dinner table.) Through
a disastrous chain of events, the spider
escapes and starts picking the countryside
clean.
I
get a little depressed because no one will
join me when I yell out "Nes
-TOR!" (with
the emphasis on the second syllable) whenever
Nestor Paiva’s dopey sheriff appeared. (Ah,
well. I tried.) As
I said, the print was in pretty bad shape
and the film ground to a halt a couple a
times for repairs. During one extended
lapse, an eerily beautiful rendition of
"99 Bottles of Beer on the Wall"
began to pick up steam from the audience.
It was off key, in a minor chord, but
sounded great. To appease the masses while
the film was repaired, they ran The Wizard
of Speed and Time both ways again, much to
everyone’s delight. The Hottentots
stormed the stage and stomped away.
The
repairs completed, the film wheezed back to
life, and despite several key scenes that
vanished completely, Clint Eastwood still
napalms the eight-legged nightmare into a
big fiery mess. And
I don’t care what anybody else says, the
special-effects in that movie are pretty
darn good.
 |
| The
Mummy |
| Hammer
Time! |
Okay,
yeah, Hammer Films revived the classic
monsters in the '60s and got the blood
flowing in brightly red colors. I don’t
know, to me, some of them can be pretty
darn dull and too gothic for there own
good. And The Mummy is the biggest culprit.
Any film with a flashback within a
flashback is in deep trouble in my book.
Christopher
Lee drew the short stick, again, and had
to go under wraps as Kharis, while Peter
Cushing got to play the good guy -- again.
Cushing and some others desecrate the tomb
of Princess Ananka, and accidentally awaken
Kharis -- Ananka’s guardian. The scene
switches to England where a high priest of
Ananka sics Kharis on those who raided her
tomb. He
buzzsaws through most of them, but turns
out that Cushing’s wife is the spitting
image of Ananka. So Kharis catches her and
tromps off into the bog where the high priest
is killed, the girl is saved, and poor
Kharis sinks into the muck until the next sequel.
I’m
still laughing at that big honking
elephant gun that the spindly Cushing was
hauling around. That thing was lifting
him! And it also should have knocked him right
on his English-keester every time he fired
it.
At
some point during the movie, Freex and
Chris joined me in the back row. Freeman
encouraged me to move down closer to
"the man-animals" (The
B-Fest Regulars) and live among
them and learn their language to get the
full experience of B-Fest, but I
respectfully declined. It’s
not that I didn’t want too, but, at some
point, I think it was half way through The
Lonely Lady, I decided to stay in back and
absorb B-Fest from the widest angle
possible. I guess you could call it the
Dr. Jane Goodall approach -- as opposed to
the Steve Irwin approach.
And
believe me, brothers and sisters, I had
the best seat in the house. I saw
everything. I had the seats memorized of
all the laser pointers, flashlights, and
the "GYMKATA!" guy. In fact, I
encourage everyone to try B-Fest from the
back row at least once. It’ll give you a
whole new perspective.
 |
| Godzilla
2000 |
| Everybody
do the Tokyo Stomp! |
The
emcee made his last appearance and gave
kudos to everyone who made B-Fest possible,
and asked everyone to clean up after
themselves after the last show concluded. (And,
hey, Paul’s back.)
The
Japanese have found a UFO deep in the
ocean and accidentally activate it.
Meanwhile, Godzilla is rampaging along the
coast. And I find it funny that they don’t
even bother to evacuate anymore when he
attacks, and the military doesn't give a
hoot about civilian casualties. After
a rousing battle between the Big G and the
military, the UFO shows up, and after a
quick DNA check on the monster, blasts him
back into the ocean. The UFO then settles on a
building and hacks into the world’s
computers and starts gathering data on
Godzilla. A scientist, his cute kid and a feisty
reporter figure out that the aliens have
come to Earth to colonize and will adapt
to the most dominate species, which is
obviously Godzilla.
Godzilla
resurfaces and stomps into the city. He’s
here to kick a little alien ass and chew
bubble gum. And he’s all out of bubble
gum. Heck, he doesn’t even like bubble
gum. The UFO poops out an alien that
quickly transforms into a bizarre
combination of Godzilla and Gamera. He
takes
out half the city, but Godzilla manages to
destroy the UFO and then turns his
attention on the alien. The alien in turn
tries to eat him, but quickly finds out
that Godzilla is bad for the digestion -- and
is flash-fried from the inside out.
And
yes, there is a little Godzilla inside
each and every one of us. (And
don’t you forget it.)
When
I saw Godzilla 2000 in the theaters a
while ago, it was the first Godzilla movie
I’d seen in a theater since Godzilla on
Monster Island waaaay back in the '70s.
Godzilla movies are meant for crowds.
Especially crowds who are big fans of
rubber-suited induced carnage and mayhem,
and it was a ton of fun cheering him on with
the others. It was perfect, and ended
B-Fest on a very high note.
Unfortunately,
that can only mean one thing.
Sadly,
B-Fest 2002 has come to an end.
| (Too)
Quick Goodbyes |
| Turn
out the Lights, the Party's
Over... |
As
the
lights came up, I took a couple of
seconds to soak up the carnage left over
from the last day and half. Wracked with pangs of
regret, I came to terms with the fact that
one of the greatest 24-hour periods of my
life had come to an end. I wanted it to
keep going, but it was over.
I’m
happy to report that almost everybody
pitched in to help clean up the
auditorium. Paul and I both had to be back
to work by Sunday afternoon, which meant
the sooner we got out the better. We
cleaned our row and gathered up our stuff.
I wandered down and said goodbye to
everyone, and if
I missed you again, sorry.
As
Paul and I made our way to the car (that
was thankfully still there), the
only thing that I would have changed would
be to have gotten there sooner -- allowing us
to fraternize with the B-Movie Brethren
more before hand. Getting there early
would
also allow you a better choice of seating.
(I still recommend the back
though.) Beyond that, no real
regrets-- except the whole no food
in the auditorium fiasco.
So,
it’s nothing that can’t be fixed for
next year.
That’s
right. I’m hooked.
In
other words -- See ya’ll at B-Fest
2003.
| Sleepy
Time |
| Oh
Slumber, Sweet Slumber! |
I’m
happy to report that the Chicago Freeway
gods took pity on us and spat us out with
no bad incidents. (Thank
you.) I complained about a sore
butt when the film fest ended, but in
truth, it was my knees
that were really killing me. I did my best to
stretch out in the back of the car, and
managed to stay awake until we got out of Chicago
to help navigate, but once we we’re in
the clear I dozed off. (I actually
fell asleep while handing Paul money for
the tollbooth.)
We
made it back into Omaha about 2:30 in the
morning. I could have pressed on to Grand
Island, but chose instead to borrow a bed
again. As I fell onto the bed, the next
thing I knew it was almost 1:30 the next
afternoon. Having
put all my stuff in my car the night
before, all I had to do was jump in the
Barneymobile and head home. I made one
quick stop at Krypton Comics and bought a
copy of The Star Wars Holiday Special and
several back issues of The Hulk.
And then it was back on the road where home,
my own bed and a nice long shower was
waiting.
| Epilogue: |
| Thanks,
Everybody. |
First
off, big thanks to Paul for driving us all
the way to Chicago, putting up with my
constant shouts of "We're gonna to
die!" and my panic attacks when I
thought we missed a turn off. Thanks
buddy. Second, a big thanks to A&O
Films for sponsoring B-Fest and putting up
with the abuse heaped upon them during Merkin. And last, but not
least (and
one more time),
thanks to the whole Stomp
Tokyo and B-Message
Board gang for being so friendly and
putting the new nervous guy completely at ease.
See
you all next year.
|