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Our
tale of southern, deep-fat fried vengeance
begins with the gang at the Starlight
Lounge as they prepare to open for the
evening. While Ron Lewis (Joe Don
Baker), the owner of the
establishment, goes over the books, his
girlfriend and headliner, Susan (Conny
Van Dyke), warbles
a new tune from the stage. Lewis, a
gambler by trade, receives a phone call
saying there’s a big poker game on --
and some "turkeys from New York"
are coming in, so the pickings will be
easy. Susan doesn’t want him to go; but
he's a gambler, and this is what gamblers
do.
A
few days later, when Lewis returns to the
club, he puts up a false front that he
crapped out but he really cleaned house; the
satchel he carries is stuffed full of cash.
And that’s only the half of it. He’s
bought stock in a new Las Vegas casino and
his new partners want him to move out
there to run things.
Later
that night, while driving home on Talbot
Road, Lewis comes upon two cars blocking
the way: a
Chevy and a Plymouth (and believe
me, this is relevant). He gets out
to investigate, only to be shot at. The
unknown assailant roars off in the Chevy.
Only wanting to mind his own business,
Lewis decides to just head on home; but
one of the shots hit his tire, so he has
to put on the spare. (Way to be a
concerned citizen, there, Joe Don. What
would Buford Pusser think?) One
spare tire later, Lewis makes it home
without further incident. But he’s
barely out of the car before a Sheriff’s
Deputy approaches, who then places Lewis
under arrest, and demands to know exactly
what he saw out on Talbot Road. Lewis
wants to know what’s going on. (So
do we.)
The Deputy answers, telling him he’s
"going to the morgue."
Knowing
he's in deep doo-doo, Lewis resists. A
massive struggle ensues and his garage is
destroyed during the fight. Both
combatants are severely bloodied but Lewis
manages to kill his attacker by poking his
thumb through the Deputy’s right eye. More
cops and paramedics arrive on scene and
Lewis is hauled off to the hospital.
Sheriff Morello (Warren Kimmerling)
takes possession of Lewis’ gambling
money, and he and Chief Deputy Bundy (John
Larch) head outside. The Sheriff
claims that the money is a result of
gambling -- and since gambling is illegal,
the money doesn’t exist. He then
deposits the satchel in his trunk and both
men exchange evil smirks. (This is
our first real hint that dirty work is
afoot.)
Lewis
awakens in the hospital with Susan by his
side. Ney (Josh
Bryant),
his lawyer, is also there, and it
doesn’t look too good for Lewis. No one
can verify his story about the shootings
on Talbot Road. More damning is the
Sheriff’s dispatch log where the dead
Deputy called in a reckless driver
matching Lewis’s description before
their lethal wrestling match. Ney thinks
they can strike a deal with D.A. but Lewis
swears he’s innocent. He tells Susan to
hire some private investigators to do
their own investigation. (There has
to be footprints and shell casings right?)
But little do
they know, the room is bugged and Morello
is listening in. And when Susan returns
home, she finds
Morello’s goons waiting for her. They
threaten to kill her if she tries to help
Lewis. (They
also "use" her. If you know what
we mean and we think you do. Ugh.)
Later,
at the hospital, Ney reports that his
investigators turned up nothing. When
Lewis asks if the P.I.s found anything,
the lawyer is confused. No P.I.s were
hired, and Susan hasn’t been heard from
for days. Angered by Susan’s assumed
betrayal, Lewis asks Ney to look into it.
Ney says he will, then leaves. Outside
in the hallway, Morello and Bundy are
waiting for him and they all exchange more
evil smirks. (Jeezus,
the lawyer’s in on this too!)
As
a gambler, Lewis knows "when he’s
up against a stacked deck" and
decides to take the deal. After copping
the plea, he heads off to jail for a crime
that was legally self-defense. Branded a
cop-killer, the guards aren’t real
friendly. They give him his prison uniform
and then force him to strip and shower.
(Off screen. Thank you lord.)
One guard
accosts him in the shower but Lewis gets
the better of him. The guard gets his
revenge, though, as they tear gas, mace
and beat the crap out of the hapless
prisoner.
Luckily,
for his health, Lewis has drawn the
attention of Sal Vicarronne (John
Marley). Serving
time for a petty bribery charge, Sal
is a "made man" and owns most of
the guards. He sends Vince (Gabriel
Dell) to invite Lewis to join his
prison bookmaking and gambling operation. (Sal
claims he has enough money to buy the
prison and sell it back to the state.) Lewis
accepts and more time passes. Susan tries
to visit, but he thinks she ran out on him
just when he needed her most; so he
refuses to see her.
One
day, while taking bets, Lewis spies an
assassination attempt on Sal and takes a
shiv in the back for the mobster. It’s a
debt that Sal won’t soon forget. More
time passes and Vince is released. (He’s
served his time.) Lewis gets into
it with the guards again and is put in
solitary confinement. There he meets a new
friend, a cockroach, and he feeds the bug
and asks it for advice. (And the
scary thing is, he listened to it.) Eventually,
he’s released back into general
population and three more years pass. Now
Sal’s sentence is up, but before going,
he tells Lewis that he’s fixed his
parole hearing -- so Lewis, too, will soon
be out of jail. The old mobster gives
Lewis his number and says if he ever needs
any help to call him. Lewis is thankful;
but warns that the game he’s about to
play, Sal doesn’t want any part of.
Lewis
does get out and takes the bus home. Susan
is waiting for him but he ignores her.
Deputy Sam Perry (Brock
Peter) is also there to
greet him, and reminds Lewis that as a
parolee, he has to register with the local
authorities. Lewis promises he will. He
also has a change of heart and gets
together with Susan. When he asks why she
abandoned him, she tells him about the
goons -- and what they did to her. (This
only fuels his fire for vengeance.)
She also says a lot of things have changed
during his four years in prison. Morello
is now the Mayor, Bundy is the Sheriff,
and Ney is the District Attorney. This
shift in power is too big of a coincidence
for Lewis, so he knows they’re all in
cahoots. Swearing that he’ll get all of
them, Susan wants him to just let it go;
but Lewis is obsessed with making them all
pay.
Later,
at the club, Perry tracks Lewis down.
Perry is one of the good guys and
doesn’t like what Morello has done. (He
thinks they can do each other some good.)
He
tells Lewis that the night of the incident
on Talbot Road, there was no record of a
reckless driver in the dispatch log. Two
days later, however, one mysteriously
appeared. And it gets better:
one of the cars he described belonged to
the son of Senator Tatum, and it has
disappeared without a trace. Lewis asks
Perry to check on the other car and they
split up. Lewis
returns home but he isn’t alone as a
shadowy figure points a gun at him.
Luckily, it’s just Vince. Turns out
Vince is a "mechanic", and he's
been hired by a certain party to kill
Lewis. But since they’re old friends, he
wanted to warn him first. Calling in his
favor to Vicarronne, Vince no longer has
to kill him. But the old mobster warns
that there are other
hitmen converging on him. Lewis asks if he
has any information on Senator Tatum. Sal
says he’ll look into it and Vince
decides to stick around and help.
Lewis
heads over to Susan’s place where he
finds Perry, already there, and two of
those hitmen Sal was talking about. They
manage to take the killers out and find
Susan tied up inside. They release her and
decide to treat it as a burglary. (Since
it’s obvious who sent the hitmen and
they don't want to tip their hand.)
Things
really start to fall into place when Perry
tells Lewis that a known drug dealer used
to drive a Plymouth like he saw. And both
the dealer and the car disappeared about
the same time Lewis killed the cop. Later,
Sal calls back and says Tatum’s only son
died of a drug overdose two days before
the same incident. So
all the puzzle pieces finally fit. Vince
leaves to check on Morello’s fortress
while Lewis heads to talk to Senator
Tatum. He’s hijacked along the way by
the same men who attacked and raped Susan
waaaay back at the beginning of the film.
Using a moving train as speed bump, Lewis
manages to escape leaving the others
spread out all over the rails.
(Of course they bragged about what they
did to his woman right before they get
smeared.)
With
things rapidly falling apart, Morello puts
out the order to shoot Lewis on site.
Outside his perimeter fence, Vince
carefully cases the joint, taking special
notice of the patrolling Dobermans. Meanwhile,
Lewis abducts Tatum (Walter Brooke)
right
off the Capitol steps and takes him to a
secluded spot where he beats a confession
out of him. It was Tatum who shot at him
that night on Talbot Road. The Senator
drove his son’s car to meet the drug
dealer who Tatum felt was responsible for
his son’s death, and shot him
(and then Lewis just happened upon the
wrong place at the wrong time.) In
a panic, he called Morello and gave him
Lewis’s description. Morello promised to
take care of everything in return of some
favors from the Senator.
Still
needing proof of all the corruption, Lewis
and Vince prepare to assault Morello’s
home to get it. Susan pleads with them not
to go but Lewis says he has to finish it.
He had everything he ever wanted, and they
took it all away. As they leave, she warns
that she might not be here when they get
back.
Lewis
and Vince break into the estate grounds
and kill one of the guard dogs. Finding
Ney and Morello inside, they convince
Morello, at gunpoint, to open his safe. In
it, they find his records of payoffs and a
large sum of cash. One of Morello’s
guards stumbles in and mayhem ensues. Vince
and the guard manage to shoot each other
dead. Lewis knocks Morello through a big
window, and when he lands outside, the
other guard dog savages him to death. Ney
wants to strike another deal, but Lewis
just pistol-whips the lawyer. A lot. He
then gathers up the documents and the
money, and then leaves.
And
can I ask just one stupid thing? Why do
these corrupt officials always keep
records that can incriminate them?
Didn’t Watergate teach us anything?
You’re supposed to destroy all the
evidence and then deny everything.
Lewis
finds Susan at the Starlight. Wanting her
to pack because they need to get out of
town real quick, she tells him all his
clothes are in the car, already, and
she’s not coming with him. Susan begs
him to stay, too, but the gambler in him
says the odds are better if he leaves. And
leave he does, leaving the morose Susan
behind.
In
the parking lot, Lewis has another change
of heart. He goes back inside and tells
her to call Perry. She happily does.
After
they hide the money.
The
end
Hell
hath no fury like Joe Don Baker scorned.
How
many movies like this did this guy make,
anyway?
Baker
basically played the same character in
each film. He’s always a jerk -- and a
cranky one at that. They all wear the same
crappy leisure suits. Each one had a
tendency to get beat up, a lot, and they
all had women who would have absolutely
nothing to do with him in real life. (Although
I really don’t have any room to talk on
this subject.)
The
plots are also the same. In each film his
character is wronged in some way. Then he
swears bloody revenge. Then he gets beat
up a few more times. (Or
did I mention that already.) Then
there’s a really bad car chase. And then
things wrap up real fast and neat after
Joe Don kills everybody.
Don’t
get me wrong, now, I don’t hate Joe Don
Baker. In fact, I’ve kinda got a soft
spot for the guy. It’s just that if
you’ve seen one of his films, you’ve
seen them all. (Speed
Trap,
Mitchell,
Final
Justice
etc.)
Framed
is no different. (Only
this time, he does take a shower.)
Here, Baker teams back up with director
Phil Karlson and the writing and producing
tandem of Mort and Joel Briskin. Two years
prior they all collaborated on the
ultimate southern-fried vengeance drama, Walking
Tall.
Their second film sets up a decent mystery
but then it seems complacent to just idle
along until some pertinent information
shows up at the beginning of the last
reel. (I
hate it when that happens.) Lewis
wants to find out who set him up, and is
hell bent on revenge, but then does
nothing, really, as all the info finds
it’s way to him.
I've
only seen the edited for TV version of Framed
and I feel I'm missing a few scenes. I've
only seen the MST3k version of Mitchell
and I know I've missed something
there. There's a picture of a dune buggy
chase emblazoned on the poster of the film
tacked up on my wall that explains John
Saxon's mysterious disappearance in that
film.
My
fondest memories of Framed
revolves around Baker's time in stir
talking to the cockroach. My harshest
memory, of course, is the shower scene
where Joe Don spends way too much time in
the buff, wrestling with the Red West over
a broom stick.
So
Framed
is typical Joe Don Baker fair. If you
don’t like films about doughy, sweaty
guys sleeping with beautiful women who
seek vengeance with extreme prejudice on
just about everybody, then by all means
avoid it at all costs.
If,
however, you like that kind of thing, then
feel free to check it out.
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