1Beer-2Beers-3Beers-Floor!
Making bad movies better one beer at a time!
 
Fiend Without a Face

- - - - 

     "His brain -- it's gone."

- Captain Chester      

     "Yes, sucked out, like an egg."

- Dr. Warren      

- - - - 

 
splat
Mouse Over Image & Click Down
Monster go splat!
"Hey! I can hear the ocean."
Presenting the wide emotional range of Marshall Thompson
Happy
Sad
Angry
Confused
Like, take off, eh.

We open in 'da outer regions of 'da Great White North der, eh. Better known as Canada - the new American Atomic Radar Station #6 near Manitoba - to be more specific der, eh. (Okay, okay, no more attempts at a Canadian accent.) The local farming community isn’t very happy with the disruption the base has caused. (I guess Air Force jets and cows don’t mix.) To make matters worse, a dead body has been found on the base perimeter.

Major Jeff Cummings (Marshall Thompson) and the base’s security officer, Captain Chester (Terry Killburn), must find out what happened and dispel the myth of the evils of atomic energy to the locals.

The Mayor (James Dyrenforth) and the dead man’s sister, Barbara (Kim Parker), won’t allow an autopsy that could help clear things up. The local doctor (Peter Madden) claims it was heart failure, so an uneasy truce is established between the base and the town.

So the atomic radar tests continue. The idea is to use atomic power to boost the effective scanning range, so we can keep an eye on those pesky Russians. Each attempt ends in failure, however, as a mysterious power drain hampers any progress.

Meanwhile, an invisible, but very noisy, assailant kills a farmer and his wife. This rekindles the suspicions of the townsfolk. This time an autopsy is performed -- and a grisly discovery is made. The victims have had their brains and spinal columns sucked out by an unknown force.

Cummings continues his investigation by going to see Barbara. We’re treated to a nice cheesecake shot as she’s just finished her shower, not realizing she’s no longer alone. He apologizes for barging in. While she dresses, he notices some manuscripts on thought projection she’s transcribing for her boss, a Professor Walgate (Kynaston Reeves).

Before he can get much information on the work she’s doing, they’re interrupted by the town Constable. Constable Givens (Robert Mackenzie) (take off, you hoser! Sorry.) is so belligerent towards Cummings, they come to blows. Barbara breaks it up and asks Cummings to leave.

It’s too much of a coincidence, that the killer is some kind of psychic vampire and that Walgate is experimenting with mental telepathy. So as the focus of the investigation shifts to Walgate, the mysterious phantom creature kills the Mayor.

This time the locals don’t blame the radiation, but are now convinced that the base is harboring a psychotic GI. Givens forms a posse and goes hunting for the killer.

Cummings visits Walgate, a likable old guy, but he seems to know a little too much about the atomic experiments going on at the base.

Meanwhile, the posse doesn’t turn anything up and is on the verge of disbanding. Givens pushes them on, but he gets separated from the group, and is attacked. The others can’t find him, so they head home.

With now more people turning up missing, the town council convenes to formulate a plan of action. Cummings is there, to offer assistance from the base, but their meeting is interrupted by a loud and incoherent babbling. The door bursts open and Givens stumbles in. He managed to fight off his attacker but it got part of his brain.

Later, Cummings visits with Barbara to try and deduce what happened. He decides to go to the cemetery to check and see if the Mayor died the same way. (The mayor must have been well off because he’s buried in a large crypt.) He finds the Mayor’s coffin, already open, and Walgate’s smoking pipe on the lid. Someone then seals him inside the crypt. (No big mystery. It’s obviously Walgate.)

Chester grows concerned for his AWOL buddy, so he gets a hold of Barbara to find out where Cummings went. Together, they go to the cemetery and rescue Cummings before he suffocates.

Cummings confronts Walgate with his damning evidence. The old man is pretty stressed out by this and has a heart attack. Before he passes out, he warns Cummings to shut the atomic reactor down. 

As he leaves for the base, we get the first inkling that a relationship is brewing between Cummings and Barbara. He convinces his superiors to shut down the reactor; but something has sabotaged it, so it can’t be shut down without replacement parts.

Walgate has recovered and is ready to make a full confession. What’s left of the local authorities, and the top brass from the base, meet at his house. 

It seems the good Professor’s experiments in thought materialization went horribly wrong. (They always do.) He used electricity to boost his brain output but that wasn’t enough so he devised a way to drain energy from the atomic reactor.

That did the trick and his attempts to "detach his thoughts" and make them a "separate entity" resulted in a monster. (It always does.) It destroyed his lab and escaped.

Meanwhile, back at the base, the atomic reactor has gone critical and it's slowly revealed why. All the personnel have been killed by the psychic vampire.

Back at Walgate’s, the monster appears to have multiplied as they surround the house and attack. The inhabitants start barricading themselves in, when the monsters suddenly become visible.

The monsters resemble a disembodied brain, with the spinal cord and nerve ganglia still attached. (They also appear to be filled with chocolate pudding.) Walgate deduces that this can only be caused by a marked increase in power. Which can only mean the reactor is still running, and at dangerous levels.

Their only hope is to cut off the creature's power source. Cummings comes up with a plan to blow up the reactor's control room. Walgate beats him outside and distracts the creatures, sacrificing himself, so Cummings can get away.

- - - -

Wait a second. Did he say he was gonna blow up the controls of an ATOMIC reactor?

- - - -

Since the monsters aren’t invisible anymore, they can be killed more easily (and believe me, for 1958, they die real messy.) Each one that gets plugged, stomped, or axed, dies in an eruption of black goo -- complete with gruesome sound effects.

Cummings makes it to the base (sort of) and finds that the creatures have killed everyone there. He runs, from body to body, as he makes his way to the control room. (Well somebody does. Whoever that actor is, it isn’t Marshall Thompson.) He fights off a few creatures and lights the dynamite's fuse. (Don’t do it you fool!) He barely gets clear before the control room explodes. 

And Canada is radioactive for nine lifetimes.

With their power source gone, the monsters dissolve into big globs of goo and evaporate. The world is saved.

The end

Man I like this movie. It’s as solid as they come and genuinely creepy. 

I thought the film had one major plot hole until I realized what had happened. Walgate creates only one monster but for the gruesome grand finale, there are easily over a hundred of them.

This bothered me until I remembered from the early autopsy scene that the victim’s brain and spinal cords were missing. The creature is described as a "psychic vampire" so, in a sense, it really is a vampire. When it sucks the brains out it infects them like a vampire does, turning it into a monster like itself. Their massive numbers came from all the massacred air base personnel.

The stop motion effects are really good but break down a little when they try and split screen them together. I can’t stress enough about how nastily these things go splat.

I also liked the different approach to the Barbara character. A love affair is inevitable in this type of film but at least Cummings has to work a little bit to win the girl. It was refreshing that during the attack she pitches right in to help barricade the house and it's the deputy mayor who behaves like a headless chicken.

The film does have a few stumbling blocks. I found it funny that all the Canadians talked with either a Scottish or Irish accent. (Was this an English production? It sure smelled like it.) Also Marshall Thompson must have had a clause in his contract because whenever his character had to run, his stunt double took over.

Don’t get me wrong, I like Marshall Thompson; a lot. I’ve been a fan of his since I first saw him as the young Jim Layton in Battleground. As his career progressed, though, he seemed to get typecast into the same stoic lead in a batch of sci-fi movies including this one, The First Man into Space and IT! The Terror From Beyond Space.

 
Posted: 04/19/00. Copy and paste at your own legal risk.
 
Questions? Comments? Click on the e-mail can. My dubbing policy.
How our Rating System works. Our Philosophy.