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We
begin at sea, which is currently tossing
around a sailing yacht. Accompanied by a
killer surf-soundtrack that really gets
you into the mood for some rubber-suited
mayhem,
through the storm clouds, we see a
monstrous claw emerge from the tumultuous
black water. As the crew screams in panic,
they are drowned out by the roar of giant
monster, and then the claw smashes the boat
to bits.
Two
months later, Ryota (Toru
Watanabe) is convinced that his
brother, Yata -- one of the sailors on the
doomed boat, is still alive. Wanting to go
search for him, but having no boat, Ryota
and his two friends, Ichino and Nita,
enter a dance marathon where the grand
prize is a brand new sailboat. The monkeys
do the jerk -- or are the
jerks doing the monkey?-- but
the three wash out rather quickly. Ichino (Chotaro
Togin) and Nita (Hideo
Sunazuka) console Ryota by driving
him down to the docks to look at sailing
boats. Thinking it deserted, they board
the Yahlen, but find it occupied.
Yoshimura (Akira Takarada)
thinks they’re burglars and holds a
rifle on them. Quickly explaining the
situation with Ryota and his missing
brother, Yoshimura says they can spend the
night, if they like, but must leave in the
morning.
Dawn
breaks, and the others discover that while
they were sleeping, Ryota has set sail.
Oddly, Yoshimura doesn't demand that they
go back. Ryota is the only one who knows
anything about boats, so they’re stuck
and let him search for his brother.
Yoshimura's odd behavior grows more
suspicious when he shuts the radio off
during a bulletin about a bank robbery,
and he won’t let anyone near his
briefcase. He
drops even more, less then subtle hints
that he’s the bank robber as he works on
his stash of lock picks. (At
this time, I point out that Ichino and
Nita aren’t very bright.)
Time passes and the provisions are slowly
running out. Ryota calls them all to the
deck to help because a bad storm is
approaching...
Don't
do it...The
weather started getting rough -- Sorry
about that. The tiny ship was
tossed -- Hardy-har-har. Go ahead and
finish it, ya dork! -- If not for
the courage of the fearless crew, the
Yahlen would be lost. The Yahlen would be
lost...Woooosshh....
And
I solemnly swear that will be the last Gilligan's
Island
reference in this ship-wreck of a
review.
Suddenly,
the same giant claw surfaces and smashes
the boat. But our heroes saw it, and
bailed off before the blow hit. Washed
on shore of some uncharted desert isle
-- Okay,
last time. I really mean it. Yoshimura
finds what’s left of his briefcase and
isn’t very happy. (We saw the
briefcase spill open on the boat stuffed
with Yen - so it’s official, he was
the burglar.)
Making their way inland, they find a
discarded sword and Nita fears the
island might be inhabited with
cannibals. They spot a ship heading
towards shore -- and we
also note the ship is spraying a strange
yellow liquid all over the place.
Thinking they’re rescued, the group
follows it along the shore and discover
a sprawling military complex hidden on
the island.
Yoshimura
doesn’t like the looks of it, so they
hang back and watch as the boat unloads
its slave labor cargo. Good
call, Yoshi. (Sharp eyes will note
the native contingent is wearing Infant
Island gear.) Several natives try
to escape. Most are gunned downed, but two
make it to a canoe and paddle out to the
open sea. They don't get very far, though,
as the claw surfaces yet again. But this
time, we get to see all the creature -- it
is Ebirah: a giant crawdad! Making quick
work of the boat, he harpoons the natives
on his claw and then gobbles them up. He
squeals his content and sinks back below
the waves.
While the bad guys watch this spectacle,
Daiyo (Kumi
Mizuno), another captured native,
uses this distraction to escape. Running
right into our castaways (and that
one doesn’t count, dag-nabbit),
and amazingly enough, she speaks English.
But her escape didn't go unnoticed and a
detachment of soldiers is sent after them.
They manage to escape and take refuge in a
cave.
While
Daiyo begins to pray to Mothra for
deliverance, Ryota asks if she’s seen
his brother, Yata. She has. He is alive
and well on Infant Island. She then tells
how the soldiers came to the island and
captured them to work as slaves. We then
cut to Infant Island where the inhabitants
pray and sing to the snoozing Mothra. Even
the Fairy Twins can’t wake her up -- but
they keep on trying. Yoshimura thinks they
need to do something and suggests they
sneak into the compound to see what’s
up. Nita and Ichino think they're safe
right where they are until Nita knocks
some rocks down further into the cave and
makes a startling discovery. At the bottom
of the cave, Godzilla lies comatose. (How
did he get down there?)
That convinces everyone to get out of the
cave post haste. The group manages to
sneak into the base, thanks to
Yoshimura’s skills. They break into a
storeroom and steal a few gas grenades,
while Daiyo mistakes a roll of thin copper
wire for a necklace and puts it on.
Exploring deeper into the complex leads to
something sinister -- a nuclear reactor.
They’ve stumbled upon a heavy-water
factory, and the militants are making
atomic bombs for the evil despots of the
Red Bamboo. (I’ve
never heard of them either.)
The
base commander (Jun Tazaki)
tells his scientists that they have to
step up production. Right about the same
time, his eye-patched second in command (Akihiko
Hirata) flushes out our heroes.
Using the gas bombs they escape back into
the compound, but the alarm has been
sounded. Yoshimura, Ichino and Daiyo make
it out but Nita is captured. Ryato,
meanwhile, manages to get tangled up in
the ropes of a weather balloon and sails
away into the night. (Wow.)
Nita
is thrown into the dungeon where the
native slaves are grinding an exotic fruit
into a familiar yellow liquid. An older
gent tells Nita that it acts as a
repellent and keeps Ebirah away from the
Red Bamboo boats. (That's
why the boat was spraying the liquid
earlier.) The
other three make it back to the cave and
regroup. They are startled by a loud
thumping noise, and realize it’s
Godzilla’s heart beat. The monster is
still alive.
Meanwhile,
Mothra still won’t wake up. So the
natives start chanting and dancing again (second
verse, same as the first.)
This time, the ceremony is interrupted
when Ryota’s balloon deflates and
crashes into the middle of them. Ryota
happily reunites with Yata (Toru
Ibuki). He tells them what’s
going on on the other island, where at
this very moment, the Red Bamboo search
party circle ever closer to the cave. Ichino
suggests they should wake Godzilla up, and
let him chase the soldiers away. Yoshimura
thinks that’s crazy -- but it really is
there only chance of surviving -- But if
they start singing to him, I'm stopping
this review right now! Using the
MacGuyver approach they use the sword they
found as a lightning rod, and with the
copper wire Daiyo stole, they hook
Godzilla up and wait for a storm to
recharge his batteries. (Let's hope
it's the rainy season.)
In
the dungeon, the work on the Ebirah
repellent continues. Nita hits upon a plan
to sabotage the Red Bamboo: Instead of
using the fruit, they'll just grind the
leaves into a pulp and produce a phony and
useless batch of Ebirah repellent. Back
on Infant Island, Ryota and Yata are given
a boat to go and rescue their friends and
free the other natives. The Fairies say to
remind the others to keep the faith in
Mothra.
(She has to wake up some time.)
With that last piece of advice, the
brothers depart and reach the other island
just as another storm whips up. Then several
plot lines quickly converge: Ebirah
surfaces and goes after the brothers just
as several lightning strikes zap Godzilla
back to life. Ebirah smashes the boat, but
is distracted when the side of the
mountain disintegrates and Godzilla
emerges before he can eat them, allowing
the brothers to swim safely ashore. The
two monsters spot each other and bellow
out challenges. Unimpressed by his
adversaries squealing, Godzilla chucks a
rock at him which Ebirah deftly deflects
back to him. (We'll
skip the game of catch and move on later
in the action.)
After Godzilla wades into the water, they
duke it out. Ebirah is clearly outmatched,
but holds his own until Godzilla unleashes
his atomic blast. Ebirah drags Godzilla
underwater but the big G still manages to
scare him off into deeper water.
Satisfied, Godzilla stomps on shore.
The
next morning, Ryota and Yata fall into one
of Yoshimura's traps meant for the
soldiers. They are quickly freed and Yata
rallies them to go and save the natives.
When they reach the base, they see
everyone hard at work building a giant
electric fence to keep Godzilla out. (But
that never works!) One
of the Red Bamboo’s listening posts
picks up our spying gang, so the soldiers
get after them again with guns a-blazing.
Daiyo gets separated and runs right into
Godzilla. The monster scares the soldiers
off, but he doesn’t go after Daiyo. He
just settles down and takes a nap. The
others try to sneak up and save Daiyo --
but the monster’s sleep is crudely
interrupted by a bird -- a bird as big as
a battleship (well,
it might as well have been a cameo by The
Giant Claw),
swoops in and starts pecking at his head.
This pisses the Big G off, so he fries the
bird and it crashes into the ocean. No
sooner than the smell of burnt feathers
peters out, the Red Bamboo Air Corps
attacks; but Godzilla makes quick work of
them, too. During this brief melee, the
others manage to rescue Daiyo.
His
radioactive blood up -- and in a very
poopie mood since they ruined his nap,
Godzilla decides to take it out on the
base. He stomps on over and shrugs off the
bullets and rockets, wades through the
fence (I
told you it wouldn’t work) and
starts trashing the place. Our
heroes watch from a safe distance, but
realize Yata has rushed off to the base to
free the others despite the danger.
Yoshimura goes after him. They'd better
hurry. Their base lost, the order is given
to overload the reactor and evacuate. This
will destroy the island, the monster and
all the witnesses. The soldiers take the
fake batch of liquid and lock the natives
in the dungeon. They plead for their
lives, as it slowly collapses around them,
due to Godzilla’s onslaught above.
Luckily, Yata and Yoshimura find and free
them before it completely collapses. As
they make their way out through the lab,
they catch the scientist rigging the
overload. Yoshimura tries to stop him but
the button is pushed. To make matters
worse, Godzilla picks that time to stomp
the building flat -- burying the
triggering device and crushing the
scientist. His dying words tells them they
have just two hours before the whole
island explodes. Unable to reach the
switch, our heroes retreat out of the
compound and meet up with the others. Nita
and Ichino are happy to see each other and
spot the Red Bamboo boat escaping in a
spray of yellow liquid. Ichino is mad that
they're getting away. But Nita says to
watch -- they’re in for a surprise.
Ebirah surfaces, ignores the worthless
spray and destroys the boat. Godzilla
spots him and then wades out into the
water to kick his ass.
Daiyo
instructs everyone to build a giant basket,
so when Mothra comes to rescue them she
can carry them away -- if she ever wakes
up! Whoa, spoke to soon. Back
on Infant Island, little Miss Sleepy Head
finally decided to wake up. (Mothra,
the Kaiju equivalent of the Pokemon’s
Snorlax.)
The Fairies mount up and Mothra flies to
the rescue. Meanwhile, the big duel duel
in the North Sea does not go well for
Ebirah. They slug it out, but Godzilla
manages to chomp on his big claw -- and
rips it clean off. Godzilla keeps him on
the ropes by breaking his other claw off --
thus ending the competitive phase of this
bout. Now completely helpless, Ebirah
turns tail and runs away squealing. As he
swims away, Godzilla reminds the overgrown
crawdad that he is the King of the Monsters.
(And
don’t you forget.)
Godzilla then spots Mothra heading toward
the island, and wades in to see what’s
going on.
The
giant basket is completed just as Mothra
comes in for a landing. The Fairies tell
everyone to load up and she’ll carry
them to safety. While they scramble to get
aboard, Godzilla stomps into view. Mothra
takes flight, and manages to hold him at
bay, buying them the needed time. First
bowling the giant lizard over, she then
snatches up the basket and heads to safety.
As
they fly away, our group can’t help but
feel sorry for Godzilla -- he did save
them after all. They all yell at him to
get off the island, while in the destroyed
control room, the clock counts down
ominously. Almost sensing something is
wrong, Godzilla tromps to the cliff's edge
and dives off into the water just as the
island is vaporized in the explosion.
Everyone’s
happy to see Godzilla surface and swim
away. As Mothra wings her way to Infant
Island, Yoshimura pledges to give up his
life of crime and start over. This makes
Daiyo very happy.
The
End
With
the possible exception of Godzilla’s
Revenge,
no Godzilla
film is pasted by critics and despised by
fans more than Godzilla
Vs the Sea Monster.
Feh.
So
what if the big guy doesn’t show up
until it’s half over. Who cares that the
plot resembles a Scooby-Doo
cartoon as a gang of plucky teenagers
stumble upon an island of international
terrorists. Who cares that his opponent is
a -- well, a giant crawdad with a nice
backhand. (What
is it with Toho’s fascination with
playing catch with rocks anyway?)
That's right. I don’t care. This film is
one of my favorite Godzilla
movies and I’m gonna give you three
reasons why:
First
off -- dig that crazy Dick Dale
soundtrack. Whenever Ebirah surfaces the
surf twang reverb cracks me up. Second --
the fact that Hideo
Sunazuka (Nita)
has a more than passing resemblance to Ray
Dennis Steckler. Third -- Kimi
Mizuno. Nuff said. (Hubba-hubba.)
Still
not convinced?
Okay,
how about the extended scenes where
Godzilla’s supposedly sleeping when it
really appears that he’s taking a poop
and trying to pinch off a loaf. How about
Rodan’s cameo appearance as The
Giant Claw
-- in drag no less?
And then there’s the unending scenes of
tone-deaf chanting and precision dance
numbers that can’t wake Mothra up -- Again!
Also ponder if the Red Bamboo terrorists
are part of KAOS, SPECTER or perhaps part
of Dr. Evil’s organization.
The
film also contains two of my favorite
Godzilla moments. The first is after
he’s torn Ebirah’s second claw off,
and as the critter swims away in terror, the
big man rubs it in by snapping the
pinchers together, mocking him, and seems
to be saying, "That’s right.
Who’s the biggest bad ass around here?
Right. That would be me." Second
is the ending, when they urge Godzilla to
get away. After briefly throwing his arms
in the air (that
for some reason always makes me think of
that scene from Platoon),
Godzilla does that hilarious cannonball
dive off the cliff into the water. (I
gave it a 10 but the Soviet judge only
gave him a 5.8.)
The
film was originally supposed to star King
Kong, which would explain some of the plot
-- his revival with electricity like in King
Kong vs. Godzilla,
and his fascination with Kumi. (But
who can blame him?)
Kong wouldn’t make an appearance for
Toho again until the following year in the
equally hilarious King
Kong Escapes.
This
film also marks Jun Fukada’s directorial
debut in the Godzilla franchise. He
receives way too much criticism for --
supposedly ruining the franchise by
turning Godzilla into a giant super-hero.
To that I give one giant raspberry. (Thhbbhhhhttth!)
Menace to society, force of nature or
kicker of Kilaak ass -- it doesn’t
matter. It’s Godzilla, and that’s that.
And you have to admire Toho’s loyalty to
their stable of actors. People
will recognize regulars like Takarada,
Hirata and Jun Takazi. Takazi
is the Japanese equivalent to Morris
Ankrum. He always plays the General.
By
this time, rubber-suited mayhem maestro
Eiji Tsuburaya had founded his own special
effects company. Since he was more focused
on the Ultraman
series, the effects for the film fell to
Teisho Arikawa. He does an OK job, but you
can really sense Tsuburaya’s absence.
Godzilla’s suit looks pretty beat up and
his head is starting to resemble the
Cookie Monster. The suit would be revamped
for the next film, Son
of Godzilla.
And Ebirah might be his goofiest opponent,
but it is one of the most technically
sound Kaiju suits and is really quite
beautiful.
It
might be interesting to note that Ebirah
and Son
of Godzilla
never got a theatrical release in the
states. American International Pictures
snatched them up as part of a package of
films for their fledgling television
division. These films debuted on the tube.
Toho’s
monster rally, Destroy
All Monsters,
will always be my favorite Kaiju flick.
But you can’t discount the enormous fun
to be had with this film. Enjoy.
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