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| A
small town movie palace, in a desperate
attempt to keep the doors open and the
business afloat, gets a little creative
with their promotions and film selection
to try and bring the crowds back.
Featuring grade-Z flicks that have to be
seen to be believed, this obscure
syndicated showcase for wonky movies was
rabidly championed by it's multitude of
fans -- well, rabidly championed by me
anyways. |
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| God
I hate to admit this, but I had a
disastrous first encounter with this show:
My cousin had one of those new fangled
satellite dishes, and while perusing the
latest program guide I saw that some show
was airing War
of the Colossal Beasts.
Talking him into tuning away from
the Playboy Channel for a while, we
checked it out. And when the film started --
frankly, I was a little annoyed by the
silhouetted figures down in the corner who
refused to shut up. Yes. I'm an idiot. |
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| Every
Saturday morning I sat glued to the tube,
watching Flash and his buddies battle Ming
and his evil minions in some new and
exotic locale of Mongo. And just as
adverse as the locales, were the locals:
Hawk Men, Lizard Men, Beast Men, Mole Men,
Mer-Men, Metal Men and Thun the Lion Man.
And not just Men-men -- this cartoon
boasted some of thee most exotic and
sexiest cartoon babes ever committed to an
animation cell. |
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| The
dawn of the '80s brought this wonderful
cartoon that quickly became a Saturday
morning staple at the Beerman's household.
What I truly enjoyed was that it totally
immersed itself in the Marvel Universe
with tons of cameos and guest appearances:
Captain America, Thor, and the Hulk all
managed to pop up, and it ran the gambit
with the rogues gallery as they fought
everyone from The Kingpin to Dr. Doom. |
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| There
had been rumors and rumblings of an X-Men
cartoon as early as 1984. It was set
to feature Cyclops, Sprite, Storm,
Wolverine, Thunderbird, Colossus,
Nightcrawler and Video Man. Yes,
Video Man -- a character that made
his debut on Spider-man's cartoon. I
can't explain it, either; people
just had Space Invaders and Pac Man
on the brain back then. That was
eventually scrapped -- thank God,
and they went back to drawing board. |
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| In
1966, Marvel Comics teamed up with
Gantry/Lawrence Animation Studios to bring
their new and immensely popular
superheroes to the small screen:
The Hulk,
Thor,
Iron
Man, Captain
America and The
Sub-Mariner all had their own
serialized adventures on the tube. But
what we all really remember about
these old cartoons are the loopy theme
songs and the minimal animation involved. |
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| An
argument can be made that The
Young Ones
were
the originators of modern toilet humor. And
it really is hard to
do the series justice with the written
word:
anarchic, violent and destructive, but on
the same note it was ironic, satirical and
very drool. The show wore many hats, and
wore them well: spoof, slapstick and
satire mixed deftly with a lot of fart,
poop and booger jokes. |
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| I
don’t have to overtax the old brain
synapses much when recalling one of my
favorite TV shows from my misspent youth:
Decked out in a powder-blue seersucker
suit, sneakers and ratty straw hat, an
acerbic and cynical reporter does battle
against the supernatural forces of
darkness. Why? Because no one else
understands or believes the true danger. |
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| The
premise of the show was simple:
a fictional UHF station in the fictional
town of Melonville and the gonzo
programming it put on the air. This
provided the players with plenty
of cannon fodder as they sent-up
television as we knew it at the time:
celebrity variety specials, afternoon talk
shows, locally produced commercials,
cooking shows, game shows and movies of
the week. |
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| This
film holds
a very special
significance for me. Finally
allowed to stay up and watch the late-late
show, this
was the first (quote)
monster movie (unquote) that I ever
remember seeing. Well, some of it. Okay,
the only
thing I really remember
was a scene where the Killdozer
rocked its blade back and forth after
killing somebody, and I could have sworn
that it had some kind of menacing-motorized laugh. So, of course, I just had to track it down... |
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| What
this film lacks in real suspense is more
than made up for in outright bizarreness.
I don’t think I’ve ever consumed
enough booze to concoct a plot as wild as
this one -- not even in my most fevered
delirium would it have crossed my mind to
try and substitute a Cabbage Patch Kid as
a virginal sacrifice to an ancient druid
god by super-gluing some fingernails and
hair to it and then top it off with a
kabuki make up job. Are you kidding me? |
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| Before
they really got into the TV series swing,
the co-producing tandem of Aaron Spelling
and Leonard Goldberg made several made for
the Tube exploitation pieces
like this little number. No
different than their '70s TV shows, this
film hides the moral of the story with a
lot of jiggling and wiggling, while
warning all the impressionable young
ladies out there against the dangers of falling
blindly for the minions of evil. Or
something. |
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| After
seeing the video clip of Leonard Nimoy
wailing out "The
Ballad of Bilbo Baggins"
to his heart’s content about 30 times, it
finally tripped a brain synapse,
triggering a latent memory in my head of a
movie I once saw: I vaguely remembered
Nimoy playing a psychic race car driver
who used his mental powers to help solve
mysteries. Crossing my fingers, I headed to
the video store, hoping beyond hope that
it hadn't disappeared in the great VHS
purge of '02. |
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| Sgt.
Joe Friday is so anti-hip -- almost an
idiot savant with his disturbing knowledge
of rules and police regulations that he
can regurgitate verbatim at a moments
notice, making him one of America's oddest
folk heroes. The rest of us squares wish
we were that cool. He was one of the last
of the truly good guys. No tortured past.
No axe to grind. No psycho loner who bucks
his superiors to do it his way. He is what
he is. And I love the guy. Yassir. Just
the facts, ma'am. Just the facts. |
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| On
Monday, August 6th, 1966, America -- still
recovering from the despicable, murderous
acts of Richard Speck in Chicago the week
prior, was walloped again on this fateful
day. For on that day, a little before
noon, Charles Whitman started shooting
from the observation deck of the
University Tower in Austin, Texas. Coming
eleven years after the rampage, this film
reflects on the carnage and the chaos of
the day that changed America forever. |
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| With
an upcoming feature film for the Man of
Steel and the mod television series for
their Amazing Amazon, DC Comics hadn't had
this good since the Caped Crusader ruled
the airwaves back in the '60s, but then
along came this thing. I'll admit if this
tube-oddity didn’t have Hanna-Barbera
listed in the credits, I’d swear the
whole thing was just another Sid &
Marty Kroft pipe dream. Only in the '70s,
man. Only in the '70s. |
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| To
celebrate my recent pilgrimage down
Highway 375 -- a/k/a the Extraterrestrial
Highway, to Rachel, Nevada -- home of the Little
A'Le'Inn and Area 51, I decided to
tackle this TV documentary about the
McPherson clans' harrowing alien abduction
that was caught on video tape. The program
alleges that it really did happen and the
McPhersons are still missing to this day.
Aired by the UPN network in 1998, it had
the Nation buzzing wondering if it was
real or a hoax. |
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| I
honestly believe that this little show
will cut at least ten years off of Will
Vinton’s purgatory sentence for
poisoning the world with the singing
California Raisons. Meet Wiltshire Pig, a
pig with a porcine plan for world
domination once he finds Frankenswine's
Monster. But to do so he must first
infiltrate Frankenswine's Castle, where an
all out drunken Monster Convention is just
getting into full swing. |
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| Wiltshire
Pig appears to have fully recovered from
his last adventure. Positive that he is
brilliant but cursed to failure, our
porcine protagonist's latest get-rich-quick plot
finds him kidnapping the Easter Bunny to
replace him and cash in on several
lucrative endorsement deals -- but only if
he survives the rabbitorial combat in the
Arena and is crowned the new Easter Bunny. |
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