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The
fine proprietors of 3B
Theater threw out
a challenge to guest reviewer extraordinaire, 'Nekkid Bill'
Rinehart, to pull off a trio of brain numbing films featuring pop
divas - Glitter,
Crossroads
and Spice World.
Already
conquering the turd mountain that is Glitter,
'Nekkid Bill' proves his intestinal fortitude is mighty by next
tackling pop-princess/trailer trash Britney Spears' epic tale - Crossroads.
Hell,
it's not like I asked him to review a Hillary Duff movie. 'Nekkid Bill' has returned the challenge and wants me to
review some movie called Xanadu.
Anybody
know what that's about?
Take
it away, Billy-Boy.
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This
film has been rated PG-13 for sexual content, and brief teen
drinking. Any male over the age of 35 viewing this movie will be
contacted by your local law enforcement agency.
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Three
giggly girls are digging in the woods, one dark night. "Deeper!
Deeper!" they cry. (And
I’m already uncomfortable with what I’ve inferred. I’m a bad,
bad man.)
Kit,
Lucy, and Mimi are 10-years-old and are burying a "dream
box." (That’s
a box you put your dreams in, by the way.)
The girls pledge to open the box at midnight of their graduation
day, and promise to be "best friends forever".
We
flash forward 8 years to find Lucy (Britney
Spears) dancing
in her underwear. (Every
guy dragged along to this movie is now telling himself, "Hey!
This ain’t so bad!") Lucy jumps up and down on her
bed, until Pop (Dan
"I’ll do anything" Aykroyd)
bursts in. She has to get ready for graduation. She has to rehearse
her speech. Can’t have the valedictorian messing up her speech, he
warns. (The
only thing I remember about my graduation ceremony is the hangover.)
Meanwhile,
back at school, we meet the 18-year-old Mimi, (Taryn
Manning) who, according to the
guys she passes in the hall, is a slut. She’s also pregnant. (She
also looks more than a little like a young Margot Kidder.)
We
also find the grown Kit (Zoe
Saldana), with
her underlings in tow. Kit’s become quite the snob, and doesn’t
talk to Mimi or Lucy anymore.
Lucy,
in addition to being valedictorian, has a dork for a boyfriend. And
the rumor is she’s still a virgin! (Yeah.
Thanks for reinforcing that image, Britney.)
After
graduation, Pop finds Lucy crying. She’s upset because being
valedictorian didn’t mean anything. (It
didn’t? Tell that to the American Valedictorian Anti-Defamation
League!) But Pop is more than a little pushy, and can only
think about the future of his only child. (How selfish of
him! I mean, he’s like, totally smothering her.)
And
Lucy is "all he has", since her mom ran out, when she was
3.
It’s
tough being a teenager these days, with sexual situations and brief
teen drinking forced on an innocent audience, but parents are taking
control. They’re working to prevent teen pregnancy with organized
activities, like the post-graduation formal dance. (As
my philosophy professor pointed out, American students have the best
proms in the world. And this one is no exception.) There’s
a live band, featuring Ben, (Anson
Mount) on rhythm guitar. (Not
since Anson Williams has an Anson done so much entertaining for so
many.) Ben supposedly just got out of jail. (Cue
ominous music.)
Mimi
reminds her former friends of their pledge to dig up the dream box,
but Kit isn’t interested, and Lucy has promised to ‘open up her
flower’ to her lab partner for the last 3 years, Henry (Justin
Long).
Kit
gets ticked off because her girlfriends don’t believe she’s
really going to marry her boyfriend Dylan (Richard
Voll), who is off studying at
UCLA. She leaves the dance, and with nothing better to do, finds the
forest where Mimi is hunting for the buried treasure. Lucy shows up
too, and they giggle as they share memories and hopes and dreams. (We
never find out just how the scene between Lucy and Henry ends.
Though it probably ended for Henry as soon as she displayed her bra,
if you catch my drift.)
Kit
put a Bridal Barbie in the box, (had
it only been in the original packaging, it’d be worth a fortune!),
because she wanted to get married. Lucy put in a locket with her
mom’s picture, because her wish was to find her mom, who is now
living in Arizona. Mimi’s contribution was a small globe on a
keychain because she wanted to put her feet in the Pacific Ocean.
Kit’s
dream is coming true, and because Mimi is going to California to
audition for a recording contract, her wish could be granted too.
But Lucy is still motherless.
She
tries to get information from Pop about her missing Mom, but all he
says is that it’s best to leave it alone. Her mom doesn’t
deserve to be contacted.
As
Mimi packs up her things in Ben’s car, Lucy shows up and begs a
ride to Arizona. And Kit shows up too. She wants to surprise her
fiancée, (always
a good idea), since he’s not planning on coming home
anytime soon.
Ben
puts on his Enrique Inglesias cap, and they hit the road. He lays
down the law by maintaining strict control over the radio, and with
maxims like "Nobody drives the Cruiser but me". (Can
I get that printed on a puffy hat?)
At
a Waffle House in Alabama, the travelers find they are woefully
unprepared for a journey of such magnitude. They have only $486
between them. (High
school girls without credit cards? I call No Way!)
It’s enough money for food, gas and cheap lodging, but Lucy warns
it may not be enough for anything else along the way.
Sharing
a bathroom the next morning, the girls find time to gossip about
their driver. Seems Ben (allegedly)
killed someone.
'Lo
and behold, the next day, right outside New Orleans, the Cruiser
breaks down. While it’ll cost more than they have, Mimi has a
plan. (We’ll
fix up the old barn and turn it into a theater? Close.) She
leads them to a Bourbon Street bar holding a karaoke contest. Mimi
suffers stage fright, (that’s a good thing to have when
you’re driving across the continent to audition for a record
company.), but Britney, er--, Lucy also has a great singing
voice. She’s able to win the hearts, and money of the tavern
audience with her version of Pat Benatar’s "I
Love Rock and Roll." (Yes,
I know the song is Joan Jett’s, but Britney apparently doesn’t.)
The
girls are dancing and Ben tallies up the take. (Doesn’t
he know? You never count your money while you’re sitting at the
table. There’ll be time enough for counting when the dealings
done.) One drunken college stud gets a little too frisky with
Lucy, but Ben comes to her rescue, and hi-keebahs the guy in the
nose.
Ben
says he’s not mad at Lucy, (why
would he be?) but gets all moody and disappears after
checking the girls into a decent hotel. (It’s got a minibar!!)
With
Mr. Testosterone gone, the girls can get into serious Oprah
territory. They split one of those tiny little bottles of vodka, and
get drunk. (Well,
Mimi doesn’t. She’s pregnant after all.) They talk about
sex, life, hopes and dreams. But the real Lifetime Movie of the Week
stuff doesn’t get discussed until the next morning.
Lucy
talks about how her parents were always fighting and her mom
leaving, and how she knows her mom wants to see her. Really. No.
Honestly. She does.
Mimi
reveals she was raped after the one time she got drunk at a party. (Are
you listening teenage girls in the audience? The filmmakers are
talking to you.)
And even worse, the rapist is the father of her baby.
After
a good cry, and a group hug, the girls find Ben at the garage where
the car is getting fixed. (Ben
won’t say where he spent the night, but my guess is he was either
spending some of the karaoke money, or making a little spending cash
of his own, if ya know what I mean.) Before piling back in
the car, Ben changes his shirt and gives Lucy an eyeful of the
"jailhouse art" across his back. (Let’s face it.
If Ben had really spent time in jail, he would have been traded back
and forth like a carton of cigarettes.)
On
that topic, Lucy finally gets the nerve up to ask Ben about his
criminal record. And yes, he does have one. Ben did 6 months in
lock-up for transporting a minor across state lines. (Ironic,
considering his current company, ain’t it?) But, it was for
a good cause. He was rescuing his step-sister from his violent
step-father. So, after making goo-goo eyes at him the entire
journey, Lucy learns that he’s not a bad man, and she can love
this sullen stranger.
She
trusts him enough to share her poetry with him in the desert, and
they’re about to kiss, but get interrupted by Mimi.
(Curse your timing, harlot!)
The
gang arrives in Tuscon, (with
Chicago-style pizza), and they find the mansion where
Lucy’s mom lives. They drop her off and wish her well with the
reunion.
Mom
(Kim Cattrall)
doesn’t want to see her daughter. She’s started a new life, with
2 new sons. (The
boys must have been through the immaculate conception, because while
there are plenty of pictures of the boys on the mantle, there are no
photos of her new man.) Well, Mom doesn’t want Lucy in that
life, and says Lucy was a "mistake". (Ouch! Harsh!)
To
cheer her up, Ben puts Lucy’s poem, ("I’m
Not A Girl, Not Yet A Woman" available now, from Jive Records)
to music, and they finally kiss, in the Armada Room of the Tuscon
Days Inn. (Que romantic music!)
It’s
back on the road, and upon their arrival in Los Angeles, we’re
treated to the standard "we’re in Los Angeles" shots.
(Hollywood Sign, Capitol Records building, Movie Star homes tour
signs, etc.) After a quick trip to the beach where Mimi can
wet her feet, and it’s time to split up. Mimi and Kit go
sightseeing, and Ben and Lucy stay in because they’re
"tired." Well, the door is hardly closed when Ben and Lucy
launch themselves into getting it on.
Kit
decides to drop in on her fiancée, Dylan, and drags a very
reluctant Mimi along for the ride. As you’ve probably guessed,
Dylan is a slimeball, and has another chickie at home when Kit
arrives. And he already knows Mimi. From a certain party last
Christmas.
Kit
finally puts it all together, and slugs Dylan as Mimi falls down the
stairs. She’s rushed to the hospital where a doctor informs
everyone her baby has been lost. (Wow!
It’s the same hospital in NBC’s Scrubs!)
Lucy calls home, and asks Pop to come get her, and he’s there in
record time. (He was on a mission from Gawd.)
But
Lucy changes her mind. She loves that big lummox Ben, and can’t
leave him. She’s also decided to audition for Mimi’s record
label. (As
long as the reason for driving out this way wasn’t wasted.)
Our
three girls all stay in California, and take time to bury another
box in the earth. (This
one better contain a bottle of Dom
Perigon.) It contains not wishes this time, but
their past lives.
The
End
Crossroads
is by no means a great movie. But I still kinda liked it. Of course,
it’s easy to like anything after the horror of Mariah Carey’s Glitter.
Both flicks revolved around a singer, her new love, and her 2 best
friends. Both protagonists were looking for their mothers. But Crossroads
succeeds where Glitter
fails, because it lets the supporting characters have lives, and
depth of their own.
Also,
Crossroads
doesn’t seem to take itself too seriously. It’s a movie for
teenagers. Glitter
was for….Mariah Carey.
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