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Billy the Kid vs. Dracula

 

     "I haven't met a man yet that a bullet couldn't stop."

-- Billy the Kid      

     "But he isn't a man!"

-- Old Doc Hull     

     

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Is that a top hat that bat is wearing?

 

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Billy the Kid vs. Dracula

 

Our story opens in the untamed west of America in the late 1800’s. As a wagon train of immigrant settlers bed down for the night, bringing up the rear is the Oster clan: Poppa Franz (Walter Janovitz), his superstitious wife Eva (Virginia Christine), and their teenage daughter Lisa (Hannie Landman). While they drift off to sleep, we spy a large bat fluttering into their camp. Wearing what inexplicably appears to be a tiny top hat, the bat then transforms into Count Dracula (John Carradine).

Low on gas after such a long flight from Transylvania -- and boy are his arms tired *groan*, he attempts the old neck-sucking maneuver on Lisa. But the crucifix her mother gave her scares him off. Awakened by her screams, her parents discover four small puncture wounds on Lisa's neck. Eva claims it is the work of a vampire, and the credits roll...

* * * *

Come with us now to the days of yesteryear...When from out of the west, in a cloud of dust, on a steed of white, shouting a hearty "I vant to suck your blood! Bleaauugh!"…rides…Count Dracula?!?

Well, we assume this is Dracula because aside from the title card, he is never actually referred to as the Count during the entire film. One of the many a head-scratching inducing moments you will have to endure while watching this thing.

Back in the 1960s, writer Carl K. Hittleman and director William "One Shot" Beaudine made some westerns. The only problem was if the western didn’t have John Wayne or Randolph Scott in it nobody went to see them. Together, they decided to try something different and cash in on the recent monster revival resulting in the infamous double-bill of Billy the Kid vs. Dracula and Jesse James Meets Frankenstein’s Daughter. Alas no Wild Bill Hickock vs. the Wolfman or Buffalo Bill meets the Mummy.

It appears that the creators knew a thing or two about how to make a western, but were a little sloppy in the horror department. To me, it seems that their entire grasp of a monster movie genre was based entirely on singer Bobby "Boris" Pickett's "The Monster Mash". They even blow the easiest vampire convention as their Assumed Dracula moves about during the light of day freely, with no detrimental side effects. 

Beyond these hiccups the film is solid enough. Unfortunately, too solid for it’s own good...

The story picks up again as a stagecoach hastily winds its way toward the next station. They’re behind schedule because they stopped and picked up an extra passenger. (It's Assumed Dracula.) We’re quickly introduced to the other passengers, and it's here where we meet my favorite character: Joe Flake, a whiskey salesman (and Curly Howard’s stunt double. Woob-woob-woob-woob-woob!) Also on board are Mary Bentley, and her brother James Underhill (Marjorie Bennet & William Forrest). Mary owns the Bar-B Ranch and is bringing James out for a visit. Showing Assumed Dracula a picture of her daughter, Betty, he's immediately smitten with her beauty. She also mentions that Betty has never seen her Uncle James. (Plot point! Plot point! Plot point!)

They arrive at the station just as the sun sets, and the manager prevents Joe from selling firewater to the local Indians. The weary travelers bed down for the night. All save one: Assumed Dracula goes into the Indian camp with his fangs out and kills a young girl.

The next morning, after the stage departs, her body is discovered. Seeking revenge, the natives go on the warpath and run the stage down, massacring everyone on board. (Ah, Joe, we hardly knew yah.) Everyone that is except for Assumed Dracula, who conveniently missed the stage’s departure. Seizes the opportunity, he flies to the massacre sight and assumes the identity of Uncle James.

Meanwhile, at the Bar-B, Billy the Kid (Chuck Courtney) has put his lawless days behind him. He's the ranch's foreman and Betty’s fiancé. This doesn’t make Red (Bing Russell -- Kurt Russell's dad), the former foreman and boyfriend very happy. He jealously watches as Billy helps Betty (Melinda Plowman) with her target practice. With the stage is due any minute, Betty cleans up while Billy heads into town to meet Mary and Uncle James.

Assumed Dracula arrives at the local saloon, announces himself as Mr. James Underhill, and checks into a hotel room. Billy hits town just as the Sheriff (Roy Barcroft -- the bad guy in almost every old serial you can think of) brings the bad news about the stagecoach massacre. Billy offers to break the bad news to Betty. The bartender overhears them and says that Mr. Underhill is okay and upstairs. Assumed Dracula, whose been eavesdropping, presents himself as Uncle James just as the Osters show up. Recognizing him as the man who attacked her, Lisa screams. Raising the Sheriff's interest, Assumed Dracula uses the pilfered picture of Betty to convince him that he is who he says he is. "Uncle James" then says to ignore the superstitious peasants and he'll be out to the ranch in the morning. Billy heads home to break the bad news to Betty about her mother.

Later that night, Assumed Dracula breaks into the Oster's room and kills Lisa. The next day, after Assumed Dracula moves out to the Bar-B, Eva tracks down Billy and begs him to keep an eye on "Uncle James." Convinced he’s a vampire, Billy feels sorry for her and offers her a job at the ranch. She takes it and begins hanging wolfsbane all over the place. (Which would be great if there was a werewolf running loose.)

Things settle down until Red and Billy finally have it out. And oddly enough, Red kicks the crap out of him. Billy visits Doc Hull (Olive Caray -- picture Dr. Quinn: the old and cranky declining years.) Her answer for any ailment is a good stiff drink. At this point, Billy’s become suspicious of "Uncle James" and tells the Doc all about the vampire stuff. It just so happens that Doc Hull has a book on folklore so they both brush up on vampires. Armed with this new information, Billy tracks Betty and Assumed Dracula down at the old silver mine. Assumed Dracula has gone inside exploring, so Billy confronts Betty with his suspicions. Now she thinks he's crazy. He tells her to use a mirror on "Uncle James" to see if he casts a reflection, and then it will be settled.

Red finds out that Billy, Betty and Eva are conspiring against "Uncle James" and rats them out. As Betty’s legal guardian, Assumed Dracula locks her in her room and fires Billy, forcing him off the ranch at gun point, and then banishes the Osters to the bunkhouse (oh the horror!)

Later at the saloon, a drunken Red draws on Billy. The Kid guns him down. Sneaking back to the ranch, he arrives too late. Assumed Dracula has already feasted on Betty’s neck. Eva and Billy sneak her out of the house and take her to Doc Hull. As Doc examines Betty’s wounds, the Sheriff shows up and arrests Billy for killing Red. Even though it’s a clear-cut case of self-defense, he still must stand trial.

While Billy sits in jail, Assumed Dracula finds Betty and steals her back. Doc Hull manages to hold a mirror up to him, and he casts no reflection. That seals it, he is a vampire, and they finally have proof.

Busting Billy out of jail, Doc Hull tries to give him a metal stake, but the Kid insists his gun will do the trick and heads for the silver mine. Knowing the bullets won’t work on a vampire, Doc Hull rounds up the Sheriff and they head out in hot pursuit.

Assumed Dracula brings Betty into the mine. He’s decorated it up to be their home, and as soon as he finishes turning her into a vampire, it will be their new home for all eternity. But before he can finish the dastardly deed, Billy barges in -- guns a-blazing. He empties his six-shooter with no effect, and then proceeds to get his butt kicked. Again. With Billy out of the way, Assumed Dracula turns back to Betty. Fortunately, he’s interrupted again; this time by Doc Hull and the Sheriff. He empties his six-shooter into the vampire, too; again with no effect. Billy wakes up, grabs the empty gun from the Sheriff and throws it at Dracula. Amazingly enough, this old trick finally works! The gun conks Dracula in the head and knocks him silly. Billy takes Doc Hull's stake and pounds it into the vampire’s heart. 

As he does this, a bat slips away from the Assumed Dracula's cloak and flutters outside where it lands.

Amazingly, no one seems to notice this. I pondered the cinematic impact and symbolism of this scene, but since it has absolutely no bearing on the rest of the film, and makes my head hurt, let’s just forget that I even brought it up. Back to the film. We're almost done.

As Assumed Dracula’s body decomposes, Betty wakes up, hearty and healthy, and they all lived happily ever after.

The end

As I try to grasp for the right words to describe this film, all I can come up with is disappointing. I was expecting something as awful as the title would imply, but the film just simply isn’t all that bad. I was hoping for something along the lines of Robot Monster, and all I got was a Halloween episode of Bonanza.

Make no mistake, there are plenty of goofs: The top hat wearing bat on a string, the bad jump-cut F/X during the transformation scenes, and John Carradine's red-tinted eye-bulging death-stare brought only fits of laughter instead of the menace it intended. And as the hero, Billy sure gets his ass kicked a lot.

As I put this review to bed I pondered one more thing: The bite marks on the victim’s neck. There were four puncture wounds instead of the customary two, and I wondered if that made this film noteworthy as the first canine vampire bites in screen history. Or was old Assumed Dracula just not as accurate a shot as he used to be?

Posted: 03/02/00. Copy and paste at your own legal risk.

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